A room can change the way music moves — and The Capitol Theatre in Port Chester is one of those rare spaces where the past hums in the walls and every note cuts sharper. We follow a living thread from the Grateful Dead’s legendary 1971 run to Daniel Donato’s first headlining night, exploring how tradition and risk keep pushing each other forward. From the Dead’s debut of Bertha, Loser, and the luminous Dark Star → Wharf Rat sequence to Donato’s Telecaster fire and cosmic-country swagger, the ...
All content for So Many Roads: A Grateful Dead Podcast is the property of P.Bouley and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
A room can change the way music moves — and The Capitol Theatre in Port Chester is one of those rare spaces where the past hums in the walls and every note cuts sharper. We follow a living thread from the Grateful Dead’s legendary 1971 run to Daniel Donato’s first headlining night, exploring how tradition and risk keep pushing each other forward. From the Dead’s debut of Bertha, Loser, and the luminous Dark Star → Wharf Rat sequence to Donato’s Telecaster fire and cosmic-country swagger, the ...
Getting on the Bus with Dave: Jerry’s Gear, an Autograph Story, and a Deadhead Origin Tale
So Many Roads: A Grateful Dead Podcast
46 minutes
5 months ago
Getting on the Bus with Dave: Jerry’s Gear, an Autograph Story, and a Deadhead Origin Tale
Send us a text In this debut episode, I sit down with my longtime friend—and our show’s producer—Dave, to talk about how he got on the bus, why Jerry Garcia’s guitar tone still captivates him, and what makes the Grateful Dead more than just a band. We break down some of Jerry’s legendary gear, including his effects and tone from the later years, and we take a few side trips into our own concert-going history, including how he got Jerry Garcia's autograph. This one sets the tone for what...
So Many Roads: A Grateful Dead Podcast
A room can change the way music moves — and The Capitol Theatre in Port Chester is one of those rare spaces where the past hums in the walls and every note cuts sharper. We follow a living thread from the Grateful Dead’s legendary 1971 run to Daniel Donato’s first headlining night, exploring how tradition and risk keep pushing each other forward. From the Dead’s debut of Bertha, Loser, and the luminous Dark Star → Wharf Rat sequence to Donato’s Telecaster fire and cosmic-country swagger, the ...