Send us a text In this episode of Shooting Spitballs, we take on the challenge of filming a Porsche driving experience day with limited time on track. The weather is unpredictable, communication from the race day organisers is sporadic, and every lap has to count. We break down how to adapt on the fly, vary camera angles, and still capture the thrill of speed in a way that feels cinematic. You can find the reference images for this episode below. https://www.shotnstrungfilms.com/shootingspit...
All content for Shooting Spitballs is the property of Martin Clark and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text In this episode of Shooting Spitballs, we take on the challenge of filming a Porsche driving experience day with limited time on track. The weather is unpredictable, communication from the race day organisers is sporadic, and every lap has to count. We break down how to adapt on the fly, vary camera angles, and still capture the thrill of speed in a way that feels cinematic. You can find the reference images for this episode below. https://www.shotnstrungfilms.com/shootingspit...
Filming a Same-Day Edit with a Problem Junior Editor
Shooting Spitballs
40 minutes
2 months ago
Filming a Same-Day Edit with a Problem Junior Editor
Send us a text What happens when you’re hired to shoot a same-day edit at a busy expo… and your junior editor is slowing everything down? 🎥 In this episode of Shooting Spitballs, we dive into: • The stress of filming and cutting content under crazy expo deadlines • How to manage (or survive) working with a junior editor who’s causing bottlenecks • Our best tips for shooting strategically when time is against you If you’ve ever had to deliver a polished edit the same day yo...
Shooting Spitballs
Send us a text In this episode of Shooting Spitballs, we take on the challenge of filming a Porsche driving experience day with limited time on track. The weather is unpredictable, communication from the race day organisers is sporadic, and every lap has to count. We break down how to adapt on the fly, vary camera angles, and still capture the thrill of speed in a way that feels cinematic. You can find the reference images for this episode below. https://www.shotnstrungfilms.com/shootingspit...