We started in 2016 with sound pieces using field recordings in podcasts for a Bucharest sound ecology: the exploration/recording/transformation/transmission of urban intimate memories. Older pieces here, do just that!
Newer sound submissions though, make us want to leave the city and the documentary, get lost in illusion/fiction/drama, based just as well in field recording: forms that stimulate stories that transmit that listening state.
Of course, it’s just radio, our only medium to theorize and practice listening for space & story, remotely!
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We started in 2016 with sound pieces using field recordings in podcasts for a Bucharest sound ecology: the exploration/recording/transformation/transmission of urban intimate memories. Older pieces here, do just that!
Newer sound submissions though, make us want to leave the city and the documentary, get lost in illusion/fiction/drama, based just as well in field recording: forms that stimulate stories that transmit that listening state.
Of course, it’s just radio, our only medium to theorize and practice listening for space & story, remotely!
EBB AND FLOW. Aural encounters in the floodplains by pablo sanz, 2023_____An imaginary day, from dawn to sunset. It meanders through aural spaces based on encounters with human and other-than-human lifeforms and their movements, shaped by the presence of the river._____Sound piece composed with recordings made during SONIC FUTURE RESIDENCIES organized by Asociația Jumătatea plină and SEMI SILENT at Port Cetate, Dolj county, Romania, in September 2022._____Artist, composer and researcher. The work of pablo sanz includes site-determined and public art projects, immersive spatial audio installations and concerts, and compositions for headphone listening spread through exhibitions, broadcasts and releases. With a focus on the limits and thresholds of perception and attention, his practice investigates listening, sound space, more-than-human vitality, aural energies, and otherness. Listening becomes a political act intended to resist dominant tendencies in contemporary societies, cultivating alternative forms of being and thinking. His work has been experienced internationally in diverse contexts. He has participated in numerous artistic residencies, received commissions and support from multiple organizations, and regularly facilitates talks, seminars and workshops._____Recordings, composition and mixing by pablo sanz for SEMI SILENT.
SEMI SILENT
We started in 2016 with sound pieces using field recordings in podcasts for a Bucharest sound ecology: the exploration/recording/transformation/transmission of urban intimate memories. Older pieces here, do just that!
Newer sound submissions though, make us want to leave the city and the documentary, get lost in illusion/fiction/drama, based just as well in field recording: forms that stimulate stories that transmit that listening state.
Of course, it’s just radio, our only medium to theorize and practice listening for space & story, remotely!
