In this episode of the Have You Seen? series, Carrie Scott chats with Spring Break Jake (aka Jake Kenobi), a self-taught painter & mixed media artist born & raised in Minneapolis, MN, currently based in Bend, OR. Jake uses the inevitability of death as motivation to explore the inner oceans of mental health. By creating darkly tropical work that focuses on vulnerability, he illuminates the unseen parts of ourselves while encouraging an acceptance of both the good & the bad, the light & the dark.
From the adherence of found materials to the sculptural effect of thickened acrylic paint, his painting’s themes are reflected in his unique illustrative technique on top of textured layers of gestural abstraction; a physical representation of our often tumultuous minds.
Through the repeated symbolism of death on holiday, Jake’s art ultimately recognizes that while no one gets out of this life alive, we can all find paradise along the way.
From Carrie:
"Otherwise known as Jake Kenobi, his work is raw, emotional, entirely his own. With a background in graphic design and roots in the snowboard industry, he's carved out a practice that feels different. He's blending branding, chaos, emotion, and big topics like insomnia and mental health all into a kind of palatable aesthetic. I got to meet him because he booked a one-to-one consult with me and I was so interested in his work and his practice and excited by the aesthetic that I asked him to do an interview together because I wanted you all to see his work. He's open and honest and the furthest thing from spring break. Each piece feels like a diary entry, layered, textured, emotional, vulnerable. I loved this conversation with him. I love where he's going with the work. I'm excited to follow this guy's career and see what's next. Jake's work ultimately captures the space, the liminal space between paradise and darkness. And I loved talking to him. And I think that you'll enjoy hearing from him, too.
Explore Jake's work: https://springbreakjake.com/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
Join our free newsletter and become an art insider: https://mailchi.mp/seen/waitlist
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this episode, Misan Harriman, photographer, social activist and Oscar Nominated filmmaker joins Carrie Scott to reflect upon his extraordinary journey, from picking up a camera just seven years ago to becoming one of the most important visual chroniclers of our time. Misan shares how his work documenting the George Floyd protests and global civil rights movements has evolved into a form of resistance, activism, and art. He speaks candidly about imposter syndrome, grief, hope, and the power of photography to bridge divides, challenge systems, and create lasting change. With stories spanning from London to Nigeria, from Grenfell to Palestine, Misan prepares for his first major solo show, "The Purpose of Light" at Hope 93 Gallery in London and opens up about the responsibility he feels to his subjects, to art, and to the world his daughters will inherit.
Misan is one of the most widely-shared visual storytellers of this age. He is also the first black person in the 104 year history of British Vogue to shoot the cover of its September issue. In July 2021 he commenced his appointment as Chair of the Southbank Centre, London.
His strong reportage style and unique eye for narrative has captured the attention of editors and celebrities around the world. From documenting historic moments in history to photographing high profile celebrities, Misan is a photographer of extraordinary range. His striking images have featured in Vanity Fair, Vogue UK, Harpers Bazaar, People Magazine and The Telegraph among others.
Nigeria born, Misan was educated in England where he developed a life-long love for the arts. This led him to picking up a camera and honing his craft. He is completely self-taught, his work is inspired by Gordon Parks, Sally Mann, Eve Arnold, Bruce Davidson, Norman Parkinson and Peter Lindbergh.
From Carrie: I first met Misan Harriman at a party and he took my picture and I thought it was great. Within a year, he was shooting the most important images that came out of the George Floyd protests and Black Lives Matter protests and has spent the last five years documenting every civil rights movement, every single protest that's happened, not only here in the UK, but abroad. So it should have come as no surprise to me that sitting with him was going to be a thing, and it was. Misan himself has as much presence as his work does. He knows what he's trying to do, he knows the message that he's trying to capture, and he's doing it perfectly. I mean that, and I know it sounds gushy, but he is. And he's about to have a show at Hope 93, where he will show for the very first time the bulk of this work, the last five years. And I think it's going to be epic.
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art).
Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-Signup
If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).
In this episode of the Have You Seen? series, Carrie Scott chats with Violeta Sofia, a Violeta Sofia is an award winning artist, photographer and activist. As a fine artist and portrait photographer, Violeta has made significant strides in the art world. Her work has been exhibited at prestigious institutions such as the National Portrait Gallery and Christie's, showcasing her ability to blend creativity with a powerful narrative. Additionally, she has graced the covers of renowned publications like Elle Italia, Deadline Hollywood, and The Telegraph, cementing her status as a prominent figure in the industry.
Today, Violeta's work transcends mere portraiture; it serves as a powerful tool for storytelling and self-expression. Through her lens, she seeks to bridge divides and celebrate the beauty of human diversity. Whether she's capturing the vulnerability of a celebrity or the authenticity in her fine art photography, Violeta Sofia continues to inspire and challenge perceptions through her art and activism.
From Carrie:
"Have you seen Violeta Sofia's work? This is not just your ordinary fashion photographer or portrait photographer or celebrity photographer. Sure, that's something that she does. But her personal work, her fine art, my god, it's amazing. She incorporates natural elements like leaves and flowers into her art and she blends all these with much media, mixed media, and the result is this like rich tactile composition that really celebrates natural beauty, complexity. She is really telling a story about self and wanting to be seen. I think this photographer is so engaging and we're in for something super special."
Explore Violeta's work: https://www.violetasofia.com/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
Join our free newsletter and become an art insider: https://mailchi.mp/seen/waitlist
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this episode, Mickalene Thomas, Brooklyn-based contemporary African-American visual artist, sits down with Carrie Scott for a conversation recorded live at her retrospective exhibition at the Hayward Gallery in London. Thomas shares her remarkable transformation from aspiring lawyer to groundbreaking artist and reflects on the profound impact art has had on her life's trajectory. With raw honesty, she reveals how Buddhist philosophy and unwavering faith have guided her successful career path outside traditional gallery structures. Thomas offers powerful insights on maintaining creative integrity, finding balance amidst chaos, and the vital importance of kindness in both personal relationships and broader society. Whether you're an artist, collector, or simply curious about the creative process, Thomas's wisdom on keeping an open heart while navigating life's complexities will leave you inspired and contemplative. Don't miss this intimate conversation with one of contemporary art's most influential voices.
From Carrie: We're at the Hayward Gallery the day after Mickalene Thomas' retrospective opened. Last night it was like standing room only, wall -to -wall people celebrating thismoment because it's all happening and the show is open now so it's alive. She's had this touring retrospective. It opened at the Broad in LA. It then went to Philly. It's now here in London and it feels like the crescendo of 20 years of work. And I don't know what we're gonna get because we've got like a live audience who weren't invited to this particular conversation, but I'm excited to just take the temperature for her and see where she's at and how she feels about the giant stageshe's finally on.'
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).
Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-Signup
About the Seeing Series
The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson and Mickalene Thomas to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-Signup
In this episode of the Seeing series, Carrie chats with award-winning filmmaker and multi-media artist, Charlotte Colbert. Her work has strong philosophical undertones and often questions narrative, time, identity, dreams and the unconscious. The surreal and fantastical become a way to look at our world afresh and find the space to question and reimagine.
From Carrie: "Sometimes the hardest interviews to do are with artists who you really respect or whose work really, really resonates and this is the case with Charlotte Colbert. I'm worried that this interview isn't the best one I've ever done and here's why. I have got this major, major respect for this woman and her work breaks me. I have no other words for it. It's emotional, it's emotive. It's all about the feminine sublime. It's all about the feminine and sirens and women and I want it. So sitting with her was hard. Sitting with her was hard. I had to try and play it cool, not very good at that and tried not to completely geek out on all the feminist stuff because I don't want to alienate an audience that should know her work and appreciate it. This woman is light and love with so much urgency and pain and passion. She's just awesome.
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).
About the Seeing Series
The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson and Mickalene Thomas to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
Join our free newsletter and become an art insider: https://mailchi.mp/seen/waitlist
In this episode of the Have You Seen? series, Carrie chats with Susan Chen, a New York based artist exploring community portraiture, autobiographical self-portraits, and conceptual still lifes. She has collaborated with over a hundred different individuals in the studio from diverse backgrounds — many of whom are members of the Asian diaspora and beyond. Her paintings explore themes of race, community, belonging, prejudice, identity, family, longing, love, and loss. Deeply curious about her sitters’ experiences, she continues to discover painting’s magical ability to survey communities and is driven by the political potential of figurative painting to inspire social change.
From Carrie:
"Have you seen Susan Chen's work? It's vibrant. And oh,so political. And I was expecting, wrongly so, this like super loud, heavy -hitting personality to be as bold as her work is. And she's just not. This is an artist who leaves every bit of her emotion and every bit of her political hopes and dreams and agendas in her work. And I think that that is extraordinary.Her pieces are like vibrant patchworks of different individuals, different portraits. They are a powerful statement on unity and the importance of every unique story and completely tied up in women's rights. It's remarkable.And our conversation was awesome and is all about not just reading a book by its cover.
Explore Susan's work: https://susanmbchen.com/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this episode, conceptual artist and contempoary art world megastar Ryan Gander chats with Carrie Scott and In this intimate conversation with contemporary art world megastar Ryan Gander, we skip the usual exhibition promotion to explore the deeper "why" behind artistic creation. Gander shares personal insights about making art accessible without being elitist and reflects on how art intersects with our perception of time and memory. Rather than explaining his work, he invites us into a philosophical discussion about attention spans in our distracted world, the value of challenging art versus easy entertainment, and how imagination might help us control our experience of time. This episode offers a rare glimpse into the mind of an artist grappling with existential questions that extend far beyond the gallery walls.
From Carrie: "Ryan Gander has a giant opening coming up at the Pola Museum in Japan and so we came to the studio today to talk to him about the show and everything he's got going on and guess what? We didn't talk about it at all and that's totally fine because there are hundreds of great interviews that Ryan has given that explain his practice and talk about his work because this man is a megastar in the contemporary art world. What we did today was kind of talk more personally about the point of art and why he does what he does, but also, like, what we're getting wrong. We got into, like, the deep big stuff that really bends my mind and,like, keeps me up at night and I think keeps him up at night and really got to the heart of why any of us do what we do. It was a great conversation and yet again, this is the third time I've got to interview him. I've walked away beinglike, 'Oh, that's the point. That's the point of all of this.' It's epic."
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).
Join our free newsletter and become an art insider: https://mailchi.mp/seen/waitlist
About the Seeing Series
The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
In this episode, Charlie Hamilton Scott, a world renowned photographer and wildlife filmmaker and BAFTA and Emmy award-winning director chats with Carrie Scott. His three-decade career has evolved from traditional wildlife photography into powerful conceptual work that challenges our detachment from environmental destruction. With refreshing honesty, James confronts the contradictions in his own relationship with his art—creating beautiful images of devastating subjects, questioning the impact of his work while continuing to make it, and balancing sincere conservation messaging with dark humor. This conversation explores not just environmental activism through art, but the very human struggle of trying to make a difference in a world that seems increasingly numb to both beauty and tragedy. James reveals how personal experiences shaped his unique visual language and why, despite his pessimism, he keeps creating work that demands we pay attention to what we're losing.
From Carrie: "Let's be honest, the art world can be pretty allergic to sincerity, whether it's animals, activism, actual emotion, it's just not cool to be sincere. Maybe that's a worldwide problem, not just an art world problem, but it is a thing. And yet here I am, talking to Charlie Hamilton James about his project, which is totally sincere and I tried to catch him out about ten times. I tried to like find the fatal flaw in his project and it's just not there. This is a man who truly believes that what he's doing is important, because like it is crucially important. This conversation wasn't easy. It's not easy to engage with his work on the level that it requires, but it was so worth having.
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart).
Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-Signup
About the Seeing Series
The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
In this episode of the Have You Seen? series, Carrie chats with Lala Drona, an America artist based in London and Paris whose work works live in the of rupture between what's physical and the virtual, the human and themachine.
From Carrie:
"Lala Drona's practice is expansive and talking to her made that really clear. Painting is kind of just the entry point. From performance to video to fiction, she constructs a world where mourning and rebirth collide. She's exploring the techno-spiritual bonds between humans and our devices, and these are big questions being kind of writ-bear in paint. And the paint's visceral, it's layered, it's haunting, it's really physical against these questions about what a post -digital world might look like. To say that our conversation was kind of mind -bending says too much, but it did make me think because Drona's work doesn't offer easy answers. It asks, "What are we in the middle of becoming? And what's left behind when we finally get there?"
Explore Lala's work: https://www.laladrona.com/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this episode of the Have You Seen? series, Carrie chats with Annabel Merrett, a British artist who is fascinated by the brain's workings. Annabel explores how our unconscious mind motivates our behaviour, often compelling us to return, repeat, and do the very thing we wish to avoid and fear.
From Carrie:
"Annabel Merrett has come to art making later in her life and all of the work is centered around health and I'm trying to resist the word to say mental health because while that is central to her practice, it is health that matters here. Annabel has been embraced by the science community because of that core but I think her practice is so important well beyond the confines of mental health and science and the medical world. This is a woman who feels it's urgent that we readdress the way we think and we talk about all sorts of things."
Explore Annabel's work: https://www.annabelmerrett.com/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this week's episode, Carrie Scott steps into the tranquil countryside retreat of architectural master John Pawson for an intimate conversation that goes beyond the "minimalist" label. Join us as Pawson reveals his design philosophy centered on light, proportion, and materials, while sharing entertaining stories of collaborations with Karl Lagerfeld and other creative luminaries. From his approach to criticism to his thoughts on creating spaces with meaningful atmosphere, Pawson offers rare insights into his creative mind. Over the course of the interview, we discover a warm, humorous side to the composed designer whose precise vision has shaped some of the world's most elegant spaces. Whether you're a design enthusiast or simply curious about the mind behind these contemplative environments, this episode offers a thoughtful glimpse into architectural thinking at its finest.
John Pawson is a British architectural designer renowned for his minimalist aesthetic that emphasizes simplicity, proportion, light, and material. Though not formally qualified as an architect, Pawson has created iconic spaces worldwide, from Calvin Klein's flagship store in New York to monasteries and museums, including London's Design Museum.
Beyond architecture, Pawson is an accomplished photographer whose eye for composition and light is showcased in several books, including "Spectrum" and "Minimum," reflecting the same disciplined aesthetic that defines his architectural work. A former textile businessman who briefly attempted monastic life in Japan before finding his calling, Pawson was appointed Commander of the Order of the British Empire (CBE) in 2019 for his contributions to design and architecture.
From Carrie: "I know John Pawson. I've interviewed him, launched exhibitions with him. I've even convinced him to let me sell his photography. So sitting down for another interview wasn't all that easy because I wanted to reveal the side of him that I know. His softer, funny side and his love for the creative collaborative process. But John is a pro, always composed and unwavering. He's a giant in the design world and he knows exactly what he's doing. But what struck me during our conversation at his country house with his wonderful wife, Catherine, is that John Possen might not actually be a minimalist. Bear with me. Minimalism as an artistic movement is all about simplicity, stripping away excess and focusing on essential elements. John's work embodies this with the monochrome tones and the absence of art on his walls. Yet in his house, every corner, detail, stone, and thread demands attention. It's a maximalist's dream in terms of engagement, though without the clutter.
And maybe I don't fully grasp minimalism, but I left that interview thinking John's work deserves a whole new term. He challenges our relationship with material and material possessions and aesthetic beauty, embodying minimalist goals while creating spaces that captivate and us the mind. John isn't just a minimalist or he shouldn't be put into a box like that. He's something more. He makes us see more by showing less. And maybe that is the whole point of minimalism, but this interview was mind-opening, bending."
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram: https://www.instagram.com/watchseenart ) .
Join our free newsletter and become an art insider: https://bit.ly/Seen-Newsletter-Signup
About the Seeing Series
The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way.
In the second episode of Behind the Seen, Carrie chats with Paddy Johnson, the founder of Netvvrk, a membership that helps artists get the shows, grants, and residencies of their dreams by broadening their professional networks. Over the last two years, members have received over a million dollars in grants. Netvvrk has been featured in The New York Times, Hyperallergic, and Artnet News.
From Carrie:
"The first time I spoke to Paddy Johnson, she interviewed me for her podcast, Art Problems. And this time, we reversed the rules because I wanted to find out all about Netvvrk, her platform which is a membership-based network, to help artists get ahead. Now, it's part professional development, part mentorship, part Andy Warhol's factory for the digital age. And I mean that seriously, because I think what Paddy has done with Netvvrk is create a space where artists can help support one another, where they can grow, where they can talk about their successes, their failures. And so it literally is what Warhol might have been trying to do with the factory, a place where artists can be vulnerable, can be open, and can support one another. Patty Johnson is doing a great thing. And this interview will make that plain as day."
Sign up for Paddy's live Masterclass: https://makeartanyway.net
Thanks for listening to this episode of the Seen podcast.
Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.
If you want to connect with us between episodes, follow us on Instagram, @watchseenart.
About Behind The Seen
TheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.
In this episode of the Have You Seen? series, Carrie chats with Nancy Cadogan, a British American artist, celebrated for her figurative paintings with their profound engagement with literature, time, and the still moments of life.
Cadogan’s works were described as “heaven on a canvas” by the Evening Standard, and has had solo exhibitions internationally, including at Saatchi Gallery, London in 2019 and Keats-Shelley House, Rome in 2020. In 2022, she was invited as Artist in Residence at the British Ambassador’s Residence in Paris.
Her latest project, ‘The Lost Trees’, explores our relationship with trees, time, and the natural world.
From Carrie:
"Nancy’s paintings are like a peaceful escape. During our chat, she explained how she uses a soft palette and delicate brushwork to create serene scenes. Her piece “Quiet Morning” captures a cozy interior with soft light, filled with books and plants. Her art provides a calming visual retreat, perfect for moments when you need a little peace."
Explore Nancy's work: https://nancycadogan.com/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this episode of the Seeing series, Carrie chats with Casey Moore, a British / NZ photographer based in London and Melbourne. Casey is renowned for his evocative large-scale images that explore the natural world, patterns, and interconnectedness. Moore’s work is characterized by meticulous compositions that capture the sublime beauty of nature, drawing inspiration from diverse landscapes such as New Zealand’s wilderness, the Austrian Alps, and the UK’s rolling hills. His approach echoes the spirit of 19th-century painters and pioneering photographers like Carleton Watkins and Ansel Adams, aiming to evoke a sense of wonder and connection to the natural world.From Carrie: "Casey Moore is a photographer I didn't really want to work with. Terrible, I know, but the truth. And then during lockdown he and I had a conversation on Zoom when I was more open to being able to listen and to look and I saw something extraordinary in this work and it's something that just kept me and sustained me for the last four years because Casey captures beauty in a forensic way. And I mean that literally, he uses these really beautiful techniques to grab nature from the world around him and make as look at it.Now, some people I think like me at the start dismiss this beauty and dismiss his work, but that's a mistake because he is offering us so much depth and his work is singular in that way. It's unparalleled. And yes, it looks beautiful on your walls,but there's a bigger message at play. Take the time to take my horse's mouth as it were. Listen to Casey describe his work and I think you'll see exactly what I'm saying. And then take the time to look closely at his images. There's so much tothem."
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram, @watchseenart ( / watchseenart ) .About the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
In this episode of the Have You Seen? series, Carrie chats with Tom Pike, a British Artist working and living in London. Tom creates abstract canvases with a combination of print, collage, graphic, mark making and self branding.
His practice explores themes of chance and certainty, chaos and order and creative ownership as he investigate's his own creative identity as both an artist and designer.
From Carrie:
"Tom's work is really intricate. It's really bold. It's very male at first and yet none of that bravado, none of that kind of hard masculinity is part of his story or part of fundamentally his aesthetic. So I was totally taken aback to learn more about his practice and dig a little deeper into what he's trying to do coming from this very commercial background. And here's the thing, this was a tough one. The tech didn't work, it wasn't on our side from beginning to end, and so the conversation gets cut off halfway through. But we want to play it way because we think Tom's amazing and it's kind of exciting to peek behind the plinth and into the studio."
Explore Tom's work: https://pikeprojects.art/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In the second episode of Behind the Seen, Carrie chats with Tim Blake, a bespoke framer with + 25 years of experience offering tailored framing direction, art presentation, and advisory services for art collectors, artists, and galleries worldwide. Specialising in custom framing, Tim works closely with clients to create unique, seamless presentations that enhance the visual impact of each piece while ensuring its protection and longevity.
From Carrie:
"Tim is actually so much more than just a framer and he's been part of this world for 25 years. first at John Jones, and then at Darbyshire, and now he's going out on his own. So I'm kind of hoping he's going to sit down with us and give us all the tea, all the stuff, because he's not affiliated with thosegiants anymore. But most importantly, I'm kind of interested in talking to him about like what it is to be a framer, because his job is so much bigger than most people can possibly appreciate."
Thanks for listening to this episode of the Seen podcast.
Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.
If you want to connect with us between episodes, follow us on Instagram, @watchseenart.
About Behind The Seen
TheBehind The SeenSeries brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.
In this episode, Turner Prize-winning artist Lubaina Himid chats with Carrie Scott for a conversation that peels back the layers of her remarkable artistic journey. From her innovative representations of women to her thoughtful reflections on cultural identity, Himid offers rare insights into both her creative process and philosophical approach to art-making. She shares her perspective on the often-overlooked role of "aunties" in community structures, reveals why numbers and repetition feature prominently in her work, and explains why she believes art's greatest power lies in showing us that "anything is possible." Listeners will gain a deeper appreciation for how Himid's personal experiences and cultural observations transform into powerful visual statements that continue to challenge and inspire audiences worldwide.
Himid's work explores themes of race, identity, colonial history, and the contributions of Black individuals often erased from history. She frequently uses painting, installation, and mixed media to challenge dominant narratives, drawing attention to overlooked stories and figures. Himid won the Turner Prize in 2017, becoming the first Black woman to receive the award. Her art is both politically charged and visually striking, often incorporating vibrant colors and theatrical compositions to engage with historical and contemporary social issues.From Carrie: "It doesn't matter how much you research or think about these conversations, they kind of go wherever they're meant to go. But the thing that is like finally kicking in for me, having now done a few of these, is that I'm in such a ridiculously privileged position to talk to these artists because actually hearing it from the horse's mouth changes the work and my understanding of what she does completely changed over the course of an hour. I went in a fan, I left a bigger fan and I now get why I'm a fan. For me, Lubaina Himid's kind of displaced culture and this sort of in -between space she navigates being a British woman who makes work, but also a Zanzibari woman who makes work, it speaks to me as a person who left the UK as a kid and came back here and hell we all know I can't pick a accent for crying out loud. So I think it's that, right? I think it's that I want you all to listen to these conversations and make up your own mind about the work and the art and what the art does for you. And I gotta say this one was was pretty extraordinary for me personally. I'd kind of like to know if it is for you."
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (https://seen.art) . If you want to connect with us between episodes, follow us on Instagram, @watchseenart ( / watchseenart ) .About the Seeing SeriesThe Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
In this episode of the Have You Seen? series, Carrie chats with Bindi Vora, British-Indian interdisciplinary photographic artist and curator who is interested in how ideas of resistance and resilience are influenced by our everyday surroundings. Her practice often combines collage, linguistics, analogue processes, and an archive of found photography procured over the last decade.
From Carrie:
"Bindi’s photos are like quiet, beautiful poems. In our conversation, she told me how she transforms everyday moments into something extraordinary. Her series “Ephemeral Moments” captures fleeting memories with blurred lines and soft colors. Each photo feels nostalgic and timeless, exploring the delicate balance between what’s temporary and eternal."
Explore Bindi's work: https://www.bindivora.co.uk/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
In this episode of the Seeing series, Carrie chats with Hank Willis Thomas, Brooklyn, NY based conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture (and that's putting it mildly).
From Carrie: "I tried not to fangirl in our interview with Hank, but not sure I completely succeeded. This is a man who is referencing so much and then laying it bare for us if we're willing to engage with the work, if we're willing to really look. On first view, you can't see everything, but with a light and some time and planting your feet firmly in the ground in front of the work, you can see things that you might not otherwise have seen. And I think that that is the point of his work, right? He's trying to get us to look. And we barely scratched the surface. I have 20 other questions that I could have asked him, but I think we got to the heart of what makes Hank think. It made me realize how avant-garde his work really is, how ahead of the curve he really is. Because this is a conversation that we desperately need to have right now. It's relevant. It's on point. It is so timely. And it really is so now."
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art. If you want to connect with us between episodes, follow us on Instagram, @watchseenart.
About the Seeing Series
The Seeing Series gets to the heart of what makes an artist tick. By always searching for the motivating truth behind an artist’s practice, we give viewers insider access to some of the most exciting artists in the world, all in a down-to-earth, honest way. From established artists like Rashid Johnson to emerging stars like Simonette Quamina, we speak to the good and the great of the artworld, ultimately creating an accurate portrait of how creatives survive, flourish and function today.
In this episode of the Have You Seen? series, Carrie chats with Tom de Freston, an Oxford-based artist who's practice is dedicated to the construction of multimedia worlds, combining paintings, film and performance into immersive visceral narratives.
From Carrie:
"Tom’s art is like stepping into a mythological tale. In our talk, he shared how his paintings explore human struggles through surreal imagery. His piece “Echoes of Icarus” features a figure that reminds you of Icarus, surrounded by fiery clouds. The intense colors and distorted forms make you think about ambition and downfall. His art really makes you confront deep themes and emotions. "
Explore Tom's work: https://tomdefreston.co.uk/
Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content, by becoming a member of Seen at https://seen.art.
Connect with us between episodes on Instagram, @watchseenart - https://www.instagram.com/watchseenart
About the Have You Seen? series:
The Have You Seen? Series is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.
