Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
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Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
Videodrome (David Cronenberg 1983) w/ Vanya Garraway (Paid in Sweat)
SEEING FACES IN MOVIES
1 hour 11 minutes 19 seconds
1 year ago
Videodrome (David Cronenberg 1983) w/ Vanya Garraway (Paid in Sweat)
Felicia is joined by Vanya Garraway to discuss David Cronenberg’s exploration of media consumption in a little film called Videodrome (1983).
We chat about how this Toronto classic has become a cautionary tale on the effects of hiding behind the ‘content’ you view. Along with the ways in which Cronenberg create a new cinematic language unique to the city of Toronto that is still relevant today.
Oh yeah, and long live the new flesh!
This marks not only the end of the Cronenberg series, but also the end of season one of this show - we will be taking a summer break and I can’t think of a better episode to leave you with until our return in the fall.
Send us your thoughts on the episode - what is your favourite film set in Toronto? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episode with Vanya:
The Killing of a Chinese Bookie (John Cassavetes 1976)
Follow Vanya here:
IG: @nostalgiaphile
IG: @paidinsweat (film program)
Twitter: @nostalgiaphile
Twitter: @paidinsweat (film program)
Sources:
https://www.criterion.com/current/posts/337-videodrome-make-mine-cronenberg
https://www.criterion.com/current/top-10-lists/237-olivier-assayas-s-top-10
https://www.criterion.com/current/posts/4357-experience-necessary-deborah-harry-in-videodrome
https://www.criterion.com/current/posts/1678-videodrome-the-slithery-sense-of-unreality
https://www.denofgeek.com/movies/videodrome-how-cronenberg-subverts-the-noir-thriller-genre/
https://www.sensesofcinema.com/2004/perversion/videodrome_seduction/
OUTRO SONG:
801 A, B by Howard Shore
FILMS MENTIONED:
The Killing of a Chinese Bookie (John Cassavetes 1976)
Days of Thunder (Tony Scott 1990)
Gladiator (Ridley Scott 2000)
Swimfan (John Polson 2002)
The Talented Mr. Ripley (Anthony Minghella 1999)
The Fly (David Cronenberg 1986)
Rabid (David Cronenberg 1977)
Shivers (David Cronenberg 1975)
The Brood (David Cronenberg 1979)
Crimes of the Future (David Cronenberg 2022)
The Dead Zone (David Cronenberg 1983)
Scanners (David Cronenberg 1981)
History of Violence (David Cronenberg 2005)
Eastern Promises (David Cronenberg 2007)
Seven (David Fincher 1995)
Last Night (Don McKellar 1998)
Take This Waltz (Sarah Polley 2011)
Naked Lunch (David Cronenberg 1991)
Being John Malkovich (Spike Jonze 1999)
Secretary (Steven Shainberg 2002)
SEEING FACES IN MOVIES
Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)