Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
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Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
The Piano Teacher (Michael Haneke 2001) w/ Jeanmarie Vargas
SEEING FACES IN MOVIES
51 minutes 17 seconds
1 year ago
The Piano Teacher (Michael Haneke 2001) w/ Jeanmarie Vargas
Felicia is joined by Jeanmarie Vargas to discuss Michael Haneke’s film about a woman just trying to live out her sexual fantasies in The Piano Teacher (2001).
We chat about Haneke’s shift in the 2000s to create more films focused on women and their struggles. Along with the importance of diegetic music as it relates to pushing the story forward.
This marks the end of the Haneke series, it was a pleasure (even when it was a displeasure) to revisit his films and watch them through multiple new lenses. He’s such a layered artist whose work will always remain relevant and I hope my guests and I have inspired you to watch more of his work (or maybe it’s time for a rewatch).
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Follow Jeanmarie here:
Movie Friends Podcast - That’s Messed Up Series on Patreon: https://www.moviefriendspodcast.com/
Spotify:@MovieFriendsPodcast
Apple Podcasts: @MovieFriendsPodcast
Sources:
https://www.criterion.com/current/posts/4994-michael-haneke-on-the-art-of-the-erotic-long-take
https://www.criterion.com/current/posts/4965-the-piano-teacher-bad-romances
https://www.criterion.com/current/posts/6342-breaking-the-ice-the-beginning-of-desire-in-the-piano-teacher
https://www.theguardian.com/film/2001/nov/09/londonfilmfestival2001.londonfilmfestival1
https://www.sensesofcinema.com/2003/michael-haneke/piano_teacher/
https://www.sensesofcinema.com/2017/cteq/the-piano-teacher/
https://cinemafromthespectrum.com/2017/04/03/the-piano-teacher-review/
https://www.fearsomequeer.net/blog/film-retrospective-the-piano-teacher
https://birthmoviesdeath.com/2013/08/16/the-piano-teacher-is-a-psychosexual-masterpiece.html
https://www.austrianfilms.com/news/en/bodymichael_haneke_talks_about_the_piano_teacher_body
OUTRO SONG:
Coin-Operated Boy by The Dresden Dolls
FILMS MENTIONED:
Funny Games (Michael Haneke 1997)
Caché (Michael Haneke 2005)
71 Fragments of a Chronology of Chance (Michael Haneke 1994)
The Seventh Continent (Michael Haneke 1989)
Code Unknown (Michael Haneke 2000)
Time of the Wolf (Michael Haneke 2003)
Benny's Video (Michael Haneke 1992)
Beau is Afraid (Ari Aster 2023)
Secret Ceremony (Joseph Losey 1968)
SEEING FACES IN MOVIES
Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)