Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
All content for SEEING FACES IN MOVIES is the property of SEEING FACES IN MOVIES and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
Shoeshine (Vittorio De Sica 1946) w/ Jason Christian (Cold War Cinema Podcast)
SEEING FACES IN MOVIES
56 minutes 55 seconds
1 year ago
Shoeshine (Vittorio De Sica 1946) w/ Jason Christian (Cold War Cinema Podcast)
Felicia is joined by Jason Christian to discuss the story of two young boys who just want to buy a horse but get sent to a juvenile prison instead, in Vittorio De Sica’s Shoeshine (1946).
We chat about De Sica’s ability to get natural performances out of children, and how important it was to explore the lives of orphaned children after the war.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Follow Jason here:
Website: https://jasonchristianwrites.com/
Letterboxd: @exilemagic
Twitter: @jasonachristian
Cold War Cinema Podcast on Spotify: @coldwarcinema
Cold War Cinema Podcast on Apple: @coldwarcinema
Sources:
https://www.film-foundation.org/rsr-november-2023
https://www.asharperfocus.com/shoeshine.html
https://postmodernpelican.com/2022/12/16/shoeshine-1946/
OUTRO SONG:
Shoeshine by Alessandro Cicognini
FILMS MENTIONED:
The Lawless (Joseph Losey 1950)
Night and the City (Jules Dassin 1950)
Body and Soul (Robert Rossen 1947)
Quicksand (Irving Pichel 1950)
Rosetta (Luc Dardenne, Jean-Pierre Dardenne 1999)
Miracle in Milan (Vittorio De Sica 1951)
The Young and the Damned (Luis Buñuel 1950)
The Gate of Heaven (Vittorio De Sica 1945)
The Children Are Watching (Vittorio De Sica 1944)
Heart and Soul (Vittorio De Sica 1948)
Bicycle Thieves (Vittorio De Sica 1948)
Umberto D. (Vittorio De Sica 1952)
Sunflower (Vittorio De Sica 1970)
The Witches (Franco Rossi, Mauro Bolognini, Luchino Visconti, Pier Paolo Pasolini, Vittorio De Sica 1967)
After the Fox (Vittorio De Sica 1966)
Marriage Italian Style (Vittorio De Sica 1964)
Yesterday, Today, and Tomorrow (Vittorio De Sica 1963)
Il boom (Vittorio De Sica 1963)
Two Women (Vittorio De Sica 1960)
The 400 Blows (François Truffaut 1959)
The Kid with the Bike (Luc Dardenne, Jean-Pierre Dardenne 2011)
Boot Polish (Prakash Arora 1954)
Where’s The Friend’s House (Abbas Kiarostami 1987)
I Was Born, But… (Yasujirō Ozu 1932)
Welcome to the Dollhouse (Todd Solondz 1995)
Good Morning (Yasujirō Ozu 1959)
SEEING FACES IN MOVIES
Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)