Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
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Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
Felicia is joined by Josh Cooley to discuss David Cronenberg’s otherworldly adaptation of William S. Burrough’s Naked Lunch (1991).
We chat about the way Cronenberg took Burrough’s story and put it into his own perfectly crafted world, and how he was able to succeed at adapting a difficult novel.
This is the Cronenberg series opener and it’s been a long time coming. I honestly cannot put into words how important Cronenberg is to me, his work is everything to me and the world would be a much sadder place without his art. I hope you follow along for the series.
Send us your thoughts on the episode - what are some of your favourite book to film adaptations? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Sources:
https://www.criterion.com/current/posts/769-naked-lunch-burroughs
https://www.criterion.com/current/posts/305-naked-lunch-drifting-in-and-out-of-a-kafkaesque-reality
https://www.criterion.com/current/posts/6806-double-extremity-judy-davis-in-naked-lunch
https://www.criterion.com/current/posts/2726-naked-lunch-so-deep-in-my-heart-that-you-re-really-a-part-of-me
https://3brothersfilm.com/blog/2018/10/18/david-cronenberg-naked-lunch-1991
https://ew.com/article/1992/01/17/naked-lunch-behind-scenes/
OUTRO SONG:
Welcome to Annexia by Howard Shore & Ornette Coleman
FILMS MENTIONED:
Deconstructing Harry (Woody Allen 1988)
Annie Hall (Woody Allen 1977)
Manhattan (Woody Allen 1979)
Dead Ringers (David Cronenberg 1988)
Crash (David Cronenberg 1996)
The Fly (David Cronenberg 1986)
The Dead Zone (David Cronenberg 1983)
Shivers (David Cronenberg 1975)
Rabid (David Cronenberg 1977)
Fast Company (David Cronenberg 1979)
Mishima: A Life in Four Chapters (Paul Schrader 1985)
eXistenZ (David Cronenberg 1999)
Nightbreed (Clive Barker 1990)
Crimes of the Future (David Cronenberg 2022)
Videodrome (David Cronenberg 1983)
M. Butterfly (David Cronenberg 1993)
Cosmopolis (David Cronenberg 2012)
Maps to the Stars (David Cronenberg 2014)
Barton Fink (Joel & Ethan Coen 1991)
Videodrome (David Cronenberg 1983)
Spider (David Cronenberg 2002)
Eastern Promises (David Cronenberg 2007)
A History of Violence (David Cronenberg 2005)
The End of the Affair (Neil Jordan 1999)
The Brood (David Cronenberg 1979)
Kiss Me Deadly (Robert Aldrich 1955)
SEEING FACES IN MOVIES
Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)