Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
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Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)
Bicycle Thieves (Vittorio De Sica 1948) w/ Ryan Ritter (Pop Culture Historians Podcast)
SEEING FACES IN MOVIES
1 hour 1 minute 26 seconds
11 months ago
Bicycle Thieves (Vittorio De Sica 1948) w/ Ryan Ritter (Pop Culture Historians Podcast)
Felicia is joined by Ryan Ritter to discuss the film that cemented the genre of Italian neo-realism in history; Vittorio De Sica’s Bicycle Thieves (1948).
We chat about De Sica’s ability to discover raw talent from non-actors and guide them to deliver unforgettable performances. Along with how relatable this story has been to audiences over the years.
This is the final installment in the De Sica series and it brought great warmth to my heart to revisit and discuss these films. I hope my guests and I have inspired you to seek out his later work as well.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Check out our previous episode with Ryan:
Klute (Alan J. Pakula - Gordon Willis D.O.P. 1971)
Follow Ryan here:
IG: @crittical_analysisblog
IG: @popculturehistorianspodcast
Twitter: @PCHistorians
Letterboxd: @ryanritter
Website: Crittical Analysis (crittical-analysis.com)
Spotify: @popculturehistorians
Apple Podcasts: @popculturehistorians
Sources:
https://www.criterion.com/current/posts/6246-the-joy-and-pain-of-one-good-meal-in-bicycle-thieves
https://www.criterion.com/current/posts/3754-hou-hsiao-hsien-on-the-films-that-changed-his-life
https://www.criterion.com/current/posts/1538-remembering-suso-cecchi-d-amico
https://www.criterion.com/current/posts/1090-bicycle-thieves-ode-to-the-common-man
https://retrospectjournal.com/2024/03/24/bicycle-thieves/
https://www.nytimes.com/2020/08/13/movies/bicycle-thieves-italian-neorealism.html
https://www.sensesofcinema.com/2020/cteq/bicycle-thieves-vittorio-de-sica-1948/
https://fourthwallwriting.com/2019/04/01/the-perfect-illusion-bicycle-thieves-as-pure-cinema/
https://www.criterion.com/current/top-10-lists/201-roger-corman-s-top-10
OUTRO SONG:
Bicycle Thieves by Alessandro Cicognini
FILMS MENTIONED:
Klute (Alan J. Pakula 1971)
Ghostbusters (Ivan Reitman 1984)
Beetlejuice (Tim Burton 1988)
Shoeshine (Vittorio De Sica 1946)
The Children Are Watching Us (Vittorio De Sica 1944)
Umberto D. (Vittorio De Sica 1952)
Miracle in Milan (Vittorio De Sica 1951)
Heart and Soul (Vittorio De Sica 1948)
Goodfellas (Martin Scorsese 1990)
Casino (Martin Scorsese 1995)
Marriage Italian Style (Vittorio De Sica 1964)
Yesterday, Today, and Tomorrow (Vittorio De Sica 1963)
Il boom (Vittorio De Sica 1963)
Come and See (Elem Klimov 1985)
Nights of Cabiria (Federico Fellini 1957)
Mildred Pierce (Michael Curtiz 1945)
SEEING FACES IN MOVIES
Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.
We chat about the beauty of the black and white photography, and why Sirk was so good at portraying the lives of broken people.
Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com
Listen to our previous episodes:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Sources:
Sirk, D., & Halliday, J. (2018). Sirk on sirk: Conversations with Jon Halliday. Bloomsbury Publishing.
https://criterioncast.com/reviews/blu-ray-reviews/scott-reviews-douglas-sirks-the-tarnished-angels-masters-of-cinema-blu-ray-review
https://www.popmatters.com/tarnished-angels-douglas-sirks-2630900330.html
https://www.cineaste.com/fall2019/the-tarnished-angels
https://www.newyorker.com/goings-on-about-town/movies/the-tarnished-angels
http://www.storyenthusiast.com/rock-hudson-blogathon-tarnished-angels-1957/
https://filmnoirfoundation.org/noircitymag/Tarnished-Angels.pdf
Outro Song:
Main Title from The Tarnished Angels by Frank Skinner
Films Mentioned:
Ace in the Hole (Billy Wilder 1951)
Straight Time (Ulu Grosbard 1978)
Minnie and Moskowitz (John Cassavetes 1971)
Far From Heaven (Todd Haynes 2002)
All That Heaven Allows (Douglas Sirk 1955)
Magnificent Obsession (Douglas Sirk 1954)
Written on the Wind (Douglas Sirk 1956)
Imitation of Life (Douglas Sirk 1959)
Giant (George Stevens 1956)
The Big Country (William Wyler 1958)
Jubal (Delmer Daves 1956)
Interlude (Douglas Sirk 1957)
Summertime (David Lean 1955)
A Time to Love and a Time to Die (Douglas Sirk 1958)
Blue Velvet (David Lynch 1986)
Twin Peaks: Fire Walk With Me (David Lynch 1992)
Has Anybody Seen My Gal (Douglas Sirk 1952)
Seconds (John Frakenheimer 1966)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder 1974)
Lonelyhearts (Vincent J. Donehue 1958)
The Gypsy Moths (John Frankenheimer 1969)
Dodsworth (William Wyler 1936)