Seeing Color is a podcast that talks with cultural workers and artists of color in order to expand the area of what is a predominantly white space in the arts. With discussions shifting between art and race, Zhiwan Cheung hashes out with guests a range of topics about the creative process in a white-dominated art world.
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Seeing Color is a podcast that talks with cultural workers and artists of color in order to expand the area of what is a predominantly white space in the arts. With discussions shifting between art and race, Zhiwan Cheung hashes out with guests a range of topics about the creative process in a white-dominated art world.
Hey everyone. Happy lunar new year. It is the year of the bunny, so to all those bunnies out there, I wish you the best and most prosperous year. I was busy these past few days transferring my visa in Hong Kong. Lots of changes happening as I will be moving north an hour to Guangzhou in a few weeks. But anyway, enough about me. I have a wonderful guest to introduce today, Yamu Wang, an artist interested in examining subjectivity and its construct, often informed by queer discourses, by using her personal experiences and found cultural materials as case studies. Yamu mainly works with language, both as media and subject matter, in part because it conditions her very being. She received a BA in Western and Chinese Literatures from the National Taiwan University and an MA in Fine Arts from Zurich University of the Arts. Yamu also served as a fellow in the Home Workspace Program from 2019-20 at Ashkal Alwan, the Lebanese Association for Plastic Art. I met Yamu through an online art residency called Artists for Artists and she was one of the many wonderful connections I made during that time. Our conversation here took many interesting turns as we explored ideas of an Asian diaspora, practice versus theory, stepping outside oneself, and why we do art. So sit back, relax, and happy new year.
Seeing Color
Seeing Color is a podcast that talks with cultural workers and artists of color in order to expand the area of what is a predominantly white space in the arts. With discussions shifting between art and race, Zhiwan Cheung hashes out with guests a range of topics about the creative process in a white-dominated art world.
