Second Chance Cinema explores the movies that either the critics panned, the audience ignored, or both. Whether these movies came out before their time or after, hosts MC and Spro believe that they deserve a second look. Especially with all the crap Hollywood is producing now, perhaps we should find our entertainment today- in the hidden gems of yesterday.
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Second Chance Cinema explores the movies that either the critics panned, the audience ignored, or both. Whether these movies came out before their time or after, hosts MC and Spro believe that they deserve a second look. Especially with all the crap Hollywood is producing now, perhaps we should find our entertainment today- in the hidden gems of yesterday.
You might not know his face, but you’ve definitely seen his work. Jeff Wolfe is an Emmy Award–winning stunt coordinator, second unit director, and performer with over three decades of experience shaping the most iconic action sequences in film and television. He’s worked on blockbuster franchises like John Wick, Rush Hour, and The Fast and the Furious, and helped redefine what’s possible on the small screen with shows like Westworld, 24, and The Terminal List.
In this exclusive interview, Jeff joins Second Chance Cinema to talk about the evolution of stunts in Hollywood—from practical effects to digital enhancements, from risk management to storytelling through action. We dig into the physical and creative demands of being a stunt double, why some of the best performances never happen in front of the camera, and what it means to earn a second chance in an industry that rarely slows down.
Whether you’re a fan of action movies or curious about the craft behind the chaos, this is a deep dive into the grit, precision, and artistry of stunt work with one of the best in the business.
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Second Chance Cinema
Second Chance Cinema explores the movies that either the critics panned, the audience ignored, or both. Whether these movies came out before their time or after, hosts MC and Spro believe that they deserve a second look. Especially with all the crap Hollywood is producing now, perhaps we should find our entertainment today- in the hidden gems of yesterday.
