Lots of research has tried to break down how music toys with the emotions of any audience, but have you ever thought about how music makes the musicians playing it feel? A group of researchers from Italy recently noticed this gap in the science and decided to answer it.
They found that when violinists play more emotional pieces, their bow movements are rougher. Nicola di Stefano, the cognitive scientist who led the study, thinks that this effect might come from musicians reacting strongly to the emotions in the pieces they play. He suggests that psychological pressure is the root cause.
Professional violinist Curtis Macomber, though, doesn't see these results echoed in reality. He thinks of emotion as an overwhelmingly positive tool in his arsenal, something that makes his playing better, rather than worse. While Nicola and his team found that emotions can hamper a violinist, Curt actually looks forward to encountering them.
Listen in as we dive into how playing emotional pieces affects musicians.
Music:
• Bach - Prelude and Fugue in C minor - BWV 847 - The Well-Tempered Clavier, No. 2 - Arranged for Strings [Gregor Quendel | Free Music Archive]
• Mozart - Eine Kleine Nachtmusik / Serenade No. 13 - KV 525.mp3 [Gregor Quendel | Free Music Archive]
• György Kurtág - Kafka Fragmente op. 24 [Divertimento Ensemble]
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Lots of research has tried to break down how music toys with the emotions of any audience, but have you ever thought about how music makes the musicians playing it feel? A group of researchers from Italy recently noticed this gap in the science and decided to answer it.
They found that when violinists play more emotional pieces, their bow movements are rougher. Nicola di Stefano, the cognitive scientist who led the study, thinks that this effect might come from musicians reacting strongly to the emotions in the pieces they play. He suggests that psychological pressure is the root cause.
Professional violinist Curtis Macomber, though, doesn't see these results echoed in reality. He thinks of emotion as an overwhelmingly positive tool in his arsenal, something that makes his playing better, rather than worse. While Nicola and his team found that emotions can hamper a violinist, Curt actually looks forward to encountering them.
Listen in as we dive into how playing emotional pieces affects musicians.
Music:
• Bach - Prelude and Fugue in C minor - BWV 847 - The Well-Tempered Clavier, No. 2 - Arranged for Strings [Gregor Quendel | Free Music Archive]
• Mozart - Eine Kleine Nachtmusik / Serenade No. 13 - KV 525.mp3 [Gregor Quendel | Free Music Archive]
• György Kurtág - Kafka Fragmente op. 24 [Divertimento Ensemble]
It’s no secret that rivers winding through major cities have been reshaped by human hands. Where wildlife and marshes once existed, gray sidewalks and bleak straight-lined tributaries have blossomed.
Now, some cities are implementing floating wetlands — native plant life on a body of biodegradable materials that bobs on top of the water — to address a budding desire to see animals and greenery return to their rivers.
In this podcast episode, Jenaye Johnson speaks with scientists and community members in Chicago about the Wild Mile — the city's biggest floating wetland to date. Join her as she winds down the Chicago River, explores the wetlands and discusses the future of new animal habitats and clean water in our urban spaces.
And check out the associated article on Scienceline: https://scienceline.org/2024/06/wilding-city-rivers/
Music used:
"Glue&Glia" by Rah Hite | CC BY 4.0
"Floating Wetlands" by Rah Hite | CC BY 4.0
"Lo Margin" by Blue Dot Sessions | CC BY-NC 4.0
"The Maison" by Blue Dot Sessions | CC BY-NC 4.0
Scienceline
Lots of research has tried to break down how music toys with the emotions of any audience, but have you ever thought about how music makes the musicians playing it feel? A group of researchers from Italy recently noticed this gap in the science and decided to answer it.
They found that when violinists play more emotional pieces, their bow movements are rougher. Nicola di Stefano, the cognitive scientist who led the study, thinks that this effect might come from musicians reacting strongly to the emotions in the pieces they play. He suggests that psychological pressure is the root cause.
Professional violinist Curtis Macomber, though, doesn't see these results echoed in reality. He thinks of emotion as an overwhelmingly positive tool in his arsenal, something that makes his playing better, rather than worse. While Nicola and his team found that emotions can hamper a violinist, Curt actually looks forward to encountering them.
Listen in as we dive into how playing emotional pieces affects musicians.
Music:
• Bach - Prelude and Fugue in C minor - BWV 847 - The Well-Tempered Clavier, No. 2 - Arranged for Strings [Gregor Quendel | Free Music Archive]
• Mozart - Eine Kleine Nachtmusik / Serenade No. 13 - KV 525.mp3 [Gregor Quendel | Free Music Archive]
• György Kurtág - Kafka Fragmente op. 24 [Divertimento Ensemble]
