After struggling for years under the controlling grip of Harry Cohn, Kim Novak was finally able to relax once the Columbia boss had a heart attack and turned up his toes three weeks into production of Bell Book and Candle. In a few months, she would also be free of Muriel Roberts, the studio publicist who had pretended to be a close friend, when she was nothing more than a spy for Harry Cohn. Novak would not learn the extent of Muriel's betrayal until 1961.
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After struggling for years under the controlling grip of Harry Cohn, Kim Novak was finally able to relax once the Columbia boss had a heart attack and turned up his toes three weeks into production of Bell Book and Candle. In a few months, she would also be free of Muriel Roberts, the studio publicist who had pretended to be a close friend, when she was nothing more than a spy for Harry Cohn. Novak would not learn the extent of Muriel's betrayal until 1961.
During a turbulent era in Hollywood, Joseph L. Mankiewicz reinvigorated woman's pictures when they might have easily been cast aside. Ann Sothern's storyline, about a woman who scrambles to balance her career with her family life, is as relevant today as when the film premiered. Sothern had a series of false starts in her own career and she also struggled with the limitations of typecasting.
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After struggling for years under the controlling grip of Harry Cohn, Kim Novak was finally able to relax once the Columbia boss had a heart attack and turned up his toes three weeks into production of Bell Book and Candle. In a few months, she would also be free of Muriel Roberts, the studio publicist who had pretended to be a close friend, when she was nothing more than a spy for Harry Cohn. Novak would not learn the extent of Muriel's betrayal until 1961.