In Robert Wise's Born to Kill (1947), Claire Trevor veers between planning a future with Lawrence Tierney and curating his downfall. She gives one of her best performances in a picture that was initially dismissed as lurid but has since been reclaimed as a classic. Beneath the smart suits, metallic-stud accessories, and mink coat beats the heart of 'the coldest iceberg of a woman' who is utterly compelling to watch.
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In Robert Wise's Born to Kill (1947), Claire Trevor veers between planning a future with Lawrence Tierney and curating his downfall. She gives one of her best performances in a picture that was initially dismissed as lurid but has since been reclaimed as a classic. Beneath the smart suits, metallic-stud accessories, and mink coat beats the heart of 'the coldest iceberg of a woman' who is utterly compelling to watch.
Rosemary Clooney glided into Paramount studio with a hit record, a successful nightclub act, and popular appearances on radio and television. She received the star treatment from day one. But her career in Hollywood was cut short by discrimination within the studio system. Paramount dropped her contract in 1955 because she was pregnant. Red Garters, her third picture, shows how she could carry a picture on her back.
Special thanks to sound editor Thomas O'Mahony
SassMouthDames
In Robert Wise's Born to Kill (1947), Claire Trevor veers between planning a future with Lawrence Tierney and curating his downfall. She gives one of her best performances in a picture that was initially dismissed as lurid but has since been reclaimed as a classic. Beneath the smart suits, metallic-stud accessories, and mink coat beats the heart of 'the coldest iceberg of a woman' who is utterly compelling to watch.