Joe McHugh is a storyteller, fiddler, and award-winning public radio journalist who travels the world exploring the many roles the violin family of instruments play in society today. He has interviewed gifted musicians who play a variety of styles—classical, folk, jazz, and rock—as well as master luthiers, dealers, collectors, tone wood producers, insurance agents, museum curators, rosin makers, string designers—even FBI agents who have helped recover stolen violins. The Rosin the Bow archive of recorded interviews will eventually become a permanent part of the Smithsonian Institution’s collection of violin-related materials.
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Joe McHugh is a storyteller, fiddler, and award-winning public radio journalist who travels the world exploring the many roles the violin family of instruments play in society today. He has interviewed gifted musicians who play a variety of styles—classical, folk, jazz, and rock—as well as master luthiers, dealers, collectors, tone wood producers, insurance agents, museum curators, rosin makers, string designers—even FBI agents who have helped recover stolen violins. The Rosin the Bow archive of recorded interviews will eventually become a permanent part of the Smithsonian Institution’s collection of violin-related materials.
Grammy and MacArthur award winner Rhiannon Giddens grew up in North Carolina near the city of Greensboro, which is where I interviewed her in 2015 while she was performing at the National Folk Festival. A founding member of the Carolina Chocolate Drops, she was trained as an opera singer before her passion for the banjo, fiddle, and folk songs took hold. She has done much to educate the public, as well as fellow musicians, about the contribution African-American musicians have made to the traditional folk music of United States.
Rosin the Bow with Joe McHugh
Joe McHugh is a storyteller, fiddler, and award-winning public radio journalist who travels the world exploring the many roles the violin family of instruments play in society today. He has interviewed gifted musicians who play a variety of styles—classical, folk, jazz, and rock—as well as master luthiers, dealers, collectors, tone wood producers, insurance agents, museum curators, rosin makers, string designers—even FBI agents who have helped recover stolen violins. The Rosin the Bow archive of recorded interviews will eventually become a permanent part of the Smithsonian Institution’s collection of violin-related materials.
