Hello! Welcome to another edition of the exclusive audio commentary podcast hosted by me, David Hughes. 

For this episode, we’re joined by Swiss director Peter Luisi for a fascinating discussion about his new film The Last Screenwriter, the first film scripted entirely by A.I. – specifically ChatGPT4.0

Now, before you grab your pitchforks and burning torches and lay siege to Rogue Commentary HQ, hear me out: I’m staunchly, even militantly anti-A.I. in the arts. But when I heard that London’s beloved Prince Charles Cinema had called off what was to be the world premiere of The Last Screenwriter because of blowback it receive online, I was disheartened, because it seemed that Peter’s film was a genuine attempt to engage with the question of A.I. in film specifically, and that we desperately needed to have the kind of conversation the film should have, and would have, provoked. Instead, by shelving the screening, conversation as shut down. As I said in my subsequent piece for Time Out, I don’t think the screening would have been cancelled if the film was being presented as an experimental film by a known quantity such as a Michael Winterbottom, a Steven Soderbergh or Mike Figgis.

While not exactly a household name in his native Switzerland, Peter co-wrote his country’s excellent Oscar entry for 2007, Vitus, and is the writer, director and producer of last year’s Bonjour Switzerland, the 8th most successful Swiss film of all time, and the biggest-grossing film in Switzerland since the advent of streaming.

The Last Screenwriter is now available online, for free, at lastscreenwriter.com and there’s no need to have seen it before listening to Peter’s commentary, but whether or not you’ve seen the film – and I would urge you to give it a watch – I think you’ll find Peter’s commentary as fascinating as I did.

Thanks Peter!

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A ⁠⁠⁠⁠⁠Synchronicity⁠⁠⁠⁠⁠ production, conceived and presented by ⁠⁠⁠⁠⁠David Hughes⁠⁠⁠⁠⁠. Produced by Sam Ibrahim. Music by Olli Oja.

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