I'm Rob. On this site, I post my alternative audio commentaries on movies.
One can glean more details about who I am, where I've been, and how obnoxious I can be sometimes by listening to the aforementioned commentaries. (Seriously, it's almost like all I do is talk during those things.)
I craft these commentary tracks as easygoing acts of impromptu film criticism, my half of a conversation about movies between myself and the person listening. Sometimes I say crazy things with which you will disagree. Other times I get a minor detail wrong, and a wave of fanboy self-satisfaction will wash over you when you realize you caught my tiny error regarding something utterly meaningless. Either way, I like it when listeners explain my craziness to me, or enlighten me about whatever else is on their mind. (Send feedback to robcompodcast@gmail.com. We'll debate the merits, then hug it out.)
Thanks for stopping by.
— Rob
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I'm Rob. On this site, I post my alternative audio commentaries on movies.
One can glean more details about who I am, where I've been, and how obnoxious I can be sometimes by listening to the aforementioned commentaries. (Seriously, it's almost like all I do is talk during those things.)
I craft these commentary tracks as easygoing acts of impromptu film criticism, my half of a conversation about movies between myself and the person listening. Sometimes I say crazy things with which you will disagree. Other times I get a minor detail wrong, and a wave of fanboy self-satisfaction will wash over you when you realize you caught my tiny error regarding something utterly meaningless. Either way, I like it when listeners explain my craziness to me, or enlighten me about whatever else is on their mind. (Send feedback to robcompodcast@gmail.com. We'll debate the merits, then hug it out.)
Thanks for stopping by.
— Rob
Sarah Polley sees no sign of zombies on the set of Take This Waltz RC-2013-105: Take This Waltz (2011) Your browser does not support this audio Sarah Polley's intelligent second film takes its name from a Leonard Cohen song, and speaking in my deepest, most morose voice I explore the really brightly colored poetry of Take This Waltz. Praising Polley's directorial skills, I compare the film to her first feature, Away From Her, and decide that this latest film is refreshing in many ways and slightly missing the mark in others. Before long, I decide I know best about comedians acting in movies, waxing arrogant on the acting of Sarah Silverman and Seth Rogen. The commentary gets weird during an explanation of how handsome men like Luke Kirby learn how to "work that thing" ("that thing" = their handsomeness). Come for the commentary; stay for the dissection of why mere mortal men should not try to pick up women using the rap Luke Kirby's character lays down in the infamous "martini scene." No Canadians were harmed in the recording of this commentary. Listen to the mp3. Or flirt with those kinky fuckers over at iTunes.
Rob Caravaggio Commentaries
I'm Rob. On this site, I post my alternative audio commentaries on movies.
One can glean more details about who I am, where I've been, and how obnoxious I can be sometimes by listening to the aforementioned commentaries. (Seriously, it's almost like all I do is talk during those things.)
I craft these commentary tracks as easygoing acts of impromptu film criticism, my half of a conversation about movies between myself and the person listening. Sometimes I say crazy things with which you will disagree. Other times I get a minor detail wrong, and a wave of fanboy self-satisfaction will wash over you when you realize you caught my tiny error regarding something utterly meaningless. Either way, I like it when listeners explain my craziness to me, or enlighten me about whatever else is on their mind. (Send feedback to robcompodcast@gmail.com. We'll debate the merits, then hug it out.)
Thanks for stopping by.
— Rob
