I'm Rob. On this site, I post my alternative audio commentaries on movies.
One can glean more details about who I am, where I've been, and how obnoxious I can be sometimes by listening to the aforementioned commentaries. (Seriously, it's almost like all I do is talk during those things.)
I craft these commentary tracks as easygoing acts of impromptu film criticism, my half of a conversation about movies between myself and the person listening. Sometimes I say crazy things with which you will disagree. Other times I get a minor detail wrong, and a wave of fanboy self-satisfaction will wash over you when you realize you caught my tiny error regarding something utterly meaningless. Either way, I like it when listeners explain my craziness to me, or enlighten me about whatever else is on their mind. (Send feedback to robcompodcast@gmail.com. We'll debate the merits, then hug it out.)
Thanks for stopping by.
— Rob
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I'm Rob. On this site, I post my alternative audio commentaries on movies.
One can glean more details about who I am, where I've been, and how obnoxious I can be sometimes by listening to the aforementioned commentaries. (Seriously, it's almost like all I do is talk during those things.)
I craft these commentary tracks as easygoing acts of impromptu film criticism, my half of a conversation about movies between myself and the person listening. Sometimes I say crazy things with which you will disagree. Other times I get a minor detail wrong, and a wave of fanboy self-satisfaction will wash over you when you realize you caught my tiny error regarding something utterly meaningless. Either way, I like it when listeners explain my craziness to me, or enlighten me about whatever else is on their mind. (Send feedback to robcompodcast@gmail.com. We'll debate the merits, then hug it out.)
Thanks for stopping by.
— Rob
Little known fact: when he was in grad school, Dr. Ian Malcolm was friends with Tony Lacey RC-2013-109: Annie Hall (1977) Your browser does not support this audio Recently, Turner Classic Movies aired Annie Hall, and I was reminded of just how extraordinary a picture it is—a romantic comedy that's exceedingly romantic and funny. This commentary was inevitable. As you watch Alvy's hangups doom his love life, you'll hear me marvel at the film's wildness, the way it breaks every rule. Along the way, I explain how Ralph Rosenblum and Gordon Willis influenced Allen's artistic vision, why the film's non-chronological structure works so well, and the background on Marshall McLuhan's cameo. Freud gets discussed, as does Shelly Duvall. To sync up, pop in your copy of the film, and hit "pause" when the United Artists logo fades to black. Show Notes Robert B. Weide's Woody Allen documentary The Film That Changed My Life book by Robert K. Elder Rosenblum's book, When the Shooting Stops, the Cutting Begins Listen to the mp3. Or be an iTunes person.
Rob Caravaggio Commentaries
I'm Rob. On this site, I post my alternative audio commentaries on movies.
One can glean more details about who I am, where I've been, and how obnoxious I can be sometimes by listening to the aforementioned commentaries. (Seriously, it's almost like all I do is talk during those things.)
I craft these commentary tracks as easygoing acts of impromptu film criticism, my half of a conversation about movies between myself and the person listening. Sometimes I say crazy things with which you will disagree. Other times I get a minor detail wrong, and a wave of fanboy self-satisfaction will wash over you when you realize you caught my tiny error regarding something utterly meaningless. Either way, I like it when listeners explain my craziness to me, or enlighten me about whatever else is on their mind. (Send feedback to robcompodcast@gmail.com. We'll debate the merits, then hug it out.)
Thanks for stopping by.
— Rob
