So this week, Margaret and I take a moment and pause to continue our exploration of Beyonce's new album: Black is King. Granted, Margaret and I are not cultural critics, but we are viewers and listeners who enjoy exploring the nuances of life.

So in the Part I review, we examined Beyonce's discography, the role and responsibility of Beyonce as an artist, the cinematography of the film, and addressing the role of colonialism in demonizing African culture, values, and religion.

In Part II, we began by exploring the African Aesthetic, using the body as art, colonial influence on aesthetical elements, colorism;  female and male relationships, and female sexuality.