“Archival recovery: it’s journalism, but with dead people” 😵☠️🪦🗃️ Elizabeth Colwell (1881–1961) was the only woman listed as an American designer by American Institute of Graphic Arts (AIGA) in 1948. A working artist in Chicago, she was a printmaker, painter, and writer, plus designed Colwell Handletter and Colwell Handletter Italics for American Type Founders in 1916. Colwell wrote about hand lettering ✍️ for Sketch Book (1904). Her work also appeared The Printing Art (1905) and Inland Print...
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“Archival recovery: it’s journalism, but with dead people” 😵☠️🪦🗃️ Elizabeth Colwell (1881–1961) was the only woman listed as an American designer by American Institute of Graphic Arts (AIGA) in 1948. A working artist in Chicago, she was a printmaker, painter, and writer, plus designed Colwell Handletter and Colwell Handletter Italics for American Type Founders in 1916. Colwell wrote about hand lettering ✍️ for Sketch Book (1904). Her work also appeared The Printing Art (1905) and Inland Print...
“I have too many tabs open” 📑 🗂️ Today we talk about some women whose archival trace is almost ghostly in its faintness. Sometimes we only have a single date and some work products, leaving huge gaps in both their professional and personal lives. Hildegard Henning (1888–?) and Lina Burger (1856–?) are two of the first women we know designed a typeface in this metal type era. What else did they do? And why were so many of the women designing foundry type from Germany? We don’t know much about ...
Re(un)Covered
“Archival recovery: it’s journalism, but with dead people” 😵☠️🪦🗃️ Elizabeth Colwell (1881–1961) was the only woman listed as an American designer by American Institute of Graphic Arts (AIGA) in 1948. A working artist in Chicago, she was a printmaker, painter, and writer, plus designed Colwell Handletter and Colwell Handletter Italics for American Type Founders in 1916. Colwell wrote about hand lettering ✍️ for Sketch Book (1904). Her work also appeared The Printing Art (1905) and Inland Print...