“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
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“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
“Why did you rub the lamp that contains me?” 🧞 Joe and Bethany cover what you’ll be hearing on Re(un)Covered, what is archival recovery, some feminist history, and how knowing a more inclusive past can help us make a better future. Also: dinosaurs 🦖🦕🐓. Season 1 of Re(un)Covered talks about women who designed typefaces in the hot metal type era (late 1800s to 1950s). For each episode Bethany and Joe will talk about what we know (and don’t know) about one or two of these women type design...
Re(un)Covered
“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
