“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
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“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
Join Bethany, a literary researcher with a passion for the obscure, as she shares recovered and uncovered stories from archives around the world. For season one, we'll be talking all about the (mostly) forgotten women of the metal type era, a time when Monotype and Linotype technologies changed printing forever. From designing fonts to Leipzig's 1914 Internationale Ausstellung für Buchgewerbe und Graphik, typography histories to disinformation campaigns, we'll look at women designing typefa...
Re(un)Covered
“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
