Last weekend we dreamed in celluloid, in three-strip technicolor and, crucially, on NITRATE. The BFI's new, hopefully regular, festival dedicated to cinema's technical heritage was a triumph - give or take an opening night. The boys sampled some exhilarating expanded cinema on 16mm by Malcolm Le Grice, some dicy nostalgism from Mark Jenkin, and of course Blood and Sand, Rouben Mamoulian's bullish nitrate delight. Join us for recollections of this sweaty and flickery weekend as we discuss the good, the bad and the flammable.