Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
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Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
RU366 REUBEN DENDINGER & ANNA SEBASTIAN ON CURSED IMAGES, DREAMS, SURREALISM, ART, WRITING
RU366: REUBEN DENDINGER & ANNA SEBASTIAN ON CURSED IMAGES, DREAMS, ART, WRITING, SURREALISM: https://renderingunconscious.substack.com/p/ru366-reuben-dendinger-and-anna-sebastian
Rendering Unconscious episode 366.
Rendering Unconscious welcomes author Reuben Dendinger and artist Anna Sebastian to the podcast! They’re here to talk about the book Cursed Images by Hyperidean Press. https://www.hyperideanpress.com/shop/p/cursed-images-by-reuben-dendinger
On this episode, Ruben Dendinger, a fiction writer and playwright, discusses his books Cursed Images and The Weeping Hemlock, which explore surrealist themes based on dreams and internet images. Anna Sebastian, a painter, shares her work, including the astrological painting “Venus” featured on Dendinger’s book cover. They discuss the intersection of myth, history, death, and the natural world in their art. Dendinger also mentioned his upcoming novel on vampirism. The conversation touches on the impact of Venus in astrology, the influence of dreams on their work, and their experiences in New York and London, highlighting the importance of supporting independent presses and artists.
https://www.annasebastian.com
https://www.verapr.co/blog/reuben-dendinger
The Weeping Hemlock: https://www.lulu.com/shop/reuben-dendinger/the-weeping-hemlock/paperback/product-kvmgwz8.html?page=1&pageSize=4
News & updates:
The next event for RU Center for Psychoanalysis is coming up Saturday, November 8th! Join me for the third installment of An Introduction to Psychoanalysis. Register by becoming a paid subscriber at RU Center for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com
You may watch the recordings of the first two classes HERE: https://rucenterforpsychoanalysis.substack.com/t/classes
Then on Wednesday, November 12th, join us for Phantoms of the Clinic: From Thought-Transference to Projective Identification with Dr. Mikita Brottman. This event will be recorded and made available for all those who register. https://rucenterforpsychoanalysis.substack.com/p/phantoms-of-the-clinic-from-thought
Register here: https://www.paypal.com/paypalme/drvanessasinclair/9
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Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
