Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
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Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
RU365 MARY WILD ON FEMININE JOUISSANCE, DAVID LYNCH, HORROR CINEMA & PSYCHOANALYSIS
RU365: MARY WILD ON FEMININE JOUISSANCE, DAVID LYNCH, PSYCHOANALYSING HORROR CINEMA https://renderingunconscious.substack.com/p/ru365-mary-wild-on-feminine-jouissance
Huge thanks to everyone who came out yesterday for the second installment of my Introduction to Psychoanalysis class! We had a great discussion about dreams, creativity, and poetry as resistance, and covered Freud’s correspondence with Fliess, Screen Memories (1899), The Interpretation of Dreams (1900), and The Psychopathology of Everyday Life (1901). You can watch the recording HERE. https://rucenterforpsychoanalysis.substack.com/p/recording-of-an-introduction-to-psychoanalysis
Next up, THIS SATURDAY, October 25th Mary Wild will be presenting her work on Feminine Jouissance in Horror Cinema. It’s a 2 hour online class beginning at 5PM London (9AM San Francisco/ 12 noon NYC/ 18:00 Berlin/ 19:00 Beirut). This event will be recorded and archived at RU Center for Psychoanalysis. Join us! https://www.eventbrite.co.uk/e/feminine-jouissance-in-horror-cinema-tickets-1754755814879?aff=oddtdtcreator
On November 19th, Mary is having a book launch for her new book Psychoanalysing Horror Cinema (Routledge, 2025). It’s a free online event via Freud Museum London. REGISTER HERE. https://www.freud.org.uk/event/psychoanalysing-horror-cinema-book-launch-with-mary-wild/
Projections: Death Scenes in Cinema with Mary Wild, Begins January 18 via Morbid Anatomy Museum online: https://www.morbidanatomy.org/classes/p/projections-death-scenes-in-cinema-with-mary-wild-september
Mary Wild @psycstar is a leading voice in cinema studies, and the creator of the Projections lecture series at Freud Museum London, applying psychoanalysis to film interpretation. She is the author of Psychoanalysing Horror Cinema, and posts exclusive content on Patreon and Substack. https://www.routledge.com/Psychoanalysing-Horror-Cinema/Wild/p/book/9781032545097
Instagram: https://www.instagram.com/psycstar/
Patreon: https://www.patreon.com/cw/marywild
Substack: https://psycstar.substack.com
The song at the end of this episode is "The Black Lodge" by Vanessa Sinclair and Pete Murphy from the brand new album "It was all part of the experience" available for free download/name your price at https://petemurphy.bandcamp.com Enjoy!
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Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
