Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
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https://www.carlabrahamsson.com
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Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com
RU353 CELEBRATING PRIDE WITH RENDERING UNCONSCIOUS CENTER FOR PSYCHOANALYSIS!
RU353: CELEBRATING PRIDE WITH RENDERING UNCONSCIOUS CENTER FOR PSYCHOANALYSIS! https://renderingunconscious.substack.com/p/ru353-celebrating-pride-with-rendering
Rendering Unconscious episode 353. https://renderingunconscious.substack.com
For this special episode of Rendering Unconscious celebrating PRIDE, I edited together some of my favorite guests, celebrating the wonderful spectrum of gender expression, queerness, and sexuality.
Join us Wednesday, July 16 for the first event celebrating the launch of Rendering Unconscious Center for Psychoanalysis! https://rucenterforpsychoanalysis.substack.com
The Queerness of Psychoanalysis: Emptiness is the Cure for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com/p/join-us-for-the-inaugural-event-of
Full episodes: https://renderingunconscious.substack.com
RU352: CARTER J. CARTER & VANESSA SINCLAIR ON PSYCHOANALYTIC FORMATION INDEPENDENT OF INSTITUTIONS
RU337: MYRIAM SAUER, GRIFFIN HANSBURY, M.E. O’BRIEN & TOBIAS WIGGINS ON THE QUEERNESS OF PSYCHOANALYSIS
RU334: ÙNA MARIA BLYTH ON MUSES NO MORE: PORTRAITS OF OCCULT WOMEN
RU333: GEOFFREY HERVEY, MOLLY MERSON & SIMONE A. MEDINA POLO ON THE QUEERNESS OF PSYCHOANALYSIS
RU329: MIRIAM MORRISSETTE ON CREATIVITY, TAROT, CUT-UPS, COLLAGE, QUEER, TRAUMA, ABLEISM, EDUCATION
RU292: DRS EMMA LIEBER & ANNA FISHZON ON THE QUEERNESS OF CHILDHOOD
RU247: ANN PELLEGRINI & AVGI SAKETOPOULOU ON GENDER WITHOUT IDENTITY
RU163: LANGSTON KAHN ON DEEP LIBERATION: SHAMANIC TOOLS FOR RECLAIMING WHOLENESS IN A CULTURE OF TRAUMA
Carl Abrahamsson, a prominent figure in the realm of occulture, reflects on his journey through the occult underground in a presentation originally written for the Occulture conference in Berlin, 2025. He shares insights from his life, which has been heavily influenced by various artistic and magical movements, as well as notable figures like Aleister Crowley, Anton LaVey, and Genesis P-Orridge. Abrahamsson discusses his experiences with different magical orders, including the Church of Satan and the OTO, and emphasizes the importance of individual intuition and creativity in the practice of magic and culture.
He introduces his recent works, including “Meetings with Remarkable Magicians” and “Introduction to Occulture,” highlighting the need for practitioners to articulate their experiences and ideas in ways that academics can understand, thus bridging the gap between esoteric knowledge and mainstream culture. He elaborates on the concept of “occulturation,” the process by which hidden knowledge becomes manifest in culture, and advocates for a focus on individual empowerment and the transformative power of creativity.
Abrahamsson also critiques the academic approach to magic, arguing that while it can help validate the field, it often fails to capture the essence of magical practice, which is inherently creative and deeply human. He concludes by asserting the necessity of personal authenticity and the importance of sharing knowledge and inspiration, positing that true magic lies in the continuous unfolding of one’s self and the embrace of individual freedom.
https://thefenriswolf.substack.com
https://anartapart.substack.com
https://www.patreon.com/vanessa23carl
https://www.carlabrahamsson.com