Send us a text In a previous podcast, I ended with the problems surrounding the acceptance of Rembrandt’s inheritance which concerned various people. Here, I’ll provide some background information on these people. This podcast is a counterpart to podcast RM24022 which dealt with the last ten years of Rembrandt as a professional artist. Now, the subject is the last years of his private life. 1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwe...
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Send us a text In a previous podcast, I ended with the problems surrounding the acceptance of Rembrandt’s inheritance which concerned various people. Here, I’ll provide some background information on these people. This podcast is a counterpart to podcast RM24022 which dealt with the last ten years of Rembrandt as a professional artist. Now, the subject is the last years of his private life. 1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwe...
Send us a text Welcome, or welcome back again! The other day I told you that Rembrandt’s main sources of income were three of a kind: (i) commissions (assignments) for paintings, (ii) selling etches, and (ii) fees for teaching students. See the related podcast Rembrandts Money (available via www.rembrandtsmoney.com, under podcast 24014, ‘Studying with Rembrandt’). In that podcast, I gave some data on how many pupils Rembrandt apprenticed during his over 40 years of act...
Rembrandt's Money
Send us a text In a previous podcast, I ended with the problems surrounding the acceptance of Rembrandt’s inheritance which concerned various people. Here, I’ll provide some background information on these people. This podcast is a counterpart to podcast RM24022 which dealt with the last ten years of Rembrandt as a professional artist. Now, the subject is the last years of his private life. 1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwe...
