Send us a text In a previous podcast, I ended with the problems surrounding the acceptance of Rembrandt’s inheritance which concerned various people. Here, I’ll provide some background information on these people. This podcast is a counterpart to podcast RM24022 which dealt with the last ten years of Rembrandt as a professional artist. Now, the subject is the last years of his private life. 1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwe...
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Send us a text In a previous podcast, I ended with the problems surrounding the acceptance of Rembrandt’s inheritance which concerned various people. Here, I’ll provide some background information on these people. This podcast is a counterpart to podcast RM24022 which dealt with the last ten years of Rembrandt as a professional artist. Now, the subject is the last years of his private life. 1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwe...
Send us a text Welcome, or welcome back again. Today it is literally about Rembrandt's money. Rembrandt had three main sources of income: commissions for paintings, selling etches and receiving fees from teaching pupils. We are most familiar with his paintings and etches, commissioned by patrons or produced for the commercial market, or just simply for private use. Much less is known about Rembrandt’s pupils and how he taught them. In this episode of the podcast ‘Rembrandts Money’ (availab...
Rembrandt's Money
Send us a text In a previous podcast, I ended with the problems surrounding the acceptance of Rembrandt’s inheritance which concerned various people. Here, I’ll provide some background information on these people. This podcast is a counterpart to podcast RM24022 which dealt with the last ten years of Rembrandt as a professional artist. Now, the subject is the last years of his private life. 1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwe...
