One of the most noteworthy slashers of its period, Candyman centers upon a Chicago semiotics student (Virginia Madsen) who blunders into the wrath of a supernatural folklore spirit (Tony Todd). Based on a Clive Barker short story that uses ghosts to symbolize income inequality in Liverpool, writer/director Bernard Rose moved the setting to Chicago and gave the narrative a subtext that comments on American racism.

Ryan is joined by Rachel for a lengthy discussion about this atmospheric, moody, and complicated film. While citing a handful of the extensive academic commentary done on Candyman, Ryan and Rachel remark upon how Candyman was made, the contemporary reactions to the film, and how its storytelling reflects America's relationship with urban decay, affordable housing, policing, superstition, symbolism, segregation, stereotype, and the white savior trope.