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Rectangles Podcast
Imporium Arts
14 episodes
1 week ago
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
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Film Reviews
Arts,
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Visual Arts
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All content for Rectangles Podcast is the property of Imporium Arts and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
Show more...
Film Reviews
Arts,
TV & Film,
Visual Arts
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EP.4 Blocking The Shot
Rectangles Podcast
47 minutes
3 months ago
EP.4 Blocking The Shot
Send us a text In this episode, we dive into The Studio — the glossy, meta-comedy from Apple TV+ that’s equal parts satire and love letter to the chaos of Hollywood. We break down the surprisingly sky-high production budget, debate whether the show’s polish adds or distracts from the humor, and unpack why this might be one of the most expensive comedies ever made. From blink-and-you-miss-it cameos to razor-sharp industry references, we talk about how The Studio pulls back the curtain on the e...
Rectangles Podcast
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...