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Rectangles Podcast
Imporium Arts
14 episodes
1 week ago
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
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Film Reviews
Arts,
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All content for Rectangles Podcast is the property of Imporium Arts and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
Show more...
Film Reviews
Arts,
TV & Film,
Visual Arts
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EP.2 Straightaways & Right Angles
Rectangles Podcast
55 minutes
4 months ago
EP.2 Straightaways & Right Angles
In this follow-up to their debut, Janackeh and Nick trade the ballroom floor for the pit lane. They start with a side-by-side look at Driven (2001)—Sylvester Stallone’s glossy, soap-opera take on Champ Car—and Senna, the acclaimed documentary that captures Ayrton Senna’s meteoric rise and tragic fall in Formula 1. From Hollywood set pieces to real-life onboard footage, they weigh how each film handles speed, rivalry, and the human cost of racing. A new feature-length F1 movie hitting ...
Rectangles Podcast
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...