Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
All content for Rectangles Podcast is the property of Imporium Arts and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
Rectangles Podcast
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
