Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
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Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
Send us a text In our first Genre Analysis episode, Janackeh and Nick unpack why ~70% of true-crime audiences are women, why many men prefer fictional gore over real cases, and how obsession, empathy, and power shape the genre. We break down the docs that haunt us (American Nightmare, Long Shot, Making a Murderer, Don’t F**k With Cats, What Jennifer Did, The Girl in the Picture, Tiger King, The Vow, Dirty Pop, Sins of Our Mother), the algorithms that fuel it, and the ethics we can’t ignore. S...
Rectangles Podcast
Send us a text Before Hollywood remade every cursed tape and long-haired ghost, Asia had already flipped horror into social commentary. In this deep-dive, Nick and Jan unpack how Japan, Korea, and Hong Kong turned fear into a mirror — reflecting guilt, grief, class, and control. We break down Bong Joon-ho’s The Host (a creature feature that’s really about pollution, policy, and parenting), the anthology Three…Extremes (beauty, revenge, and trauma as literal body horror), and Takashi Miike’s...
