Wrapping up our dissection of Fantastic Four cinema with two polar opposite takes on Marvel's First Family. In 2015, Josh Trank attempted a more grounded, body-horror-infused take that met with severe studio notes and mandated reshoots, leading to a bunch of grey corridors and one action beat before the credits. It did not go over great. This very year, the MCU finally got their crack at the characters, and presents a whimsical, retro-futuristic world where an established Fantastic Four takes...
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Wrapping up our dissection of Fantastic Four cinema with two polar opposite takes on Marvel's First Family. In 2015, Josh Trank attempted a more grounded, body-horror-infused take that met with severe studio notes and mandated reshoots, leading to a bunch of grey corridors and one action beat before the credits. It did not go over great. This very year, the MCU finally got their crack at the characters, and presents a whimsical, retro-futuristic world where an established Fantastic Four takes...
While James Gunn's Superman is soaring through theatres, Dan and Keith look back at the first time he wrote a big-screen adaptation of a Warner Bros. franchise: a pup named Scooby-Doo. Digging into the casting, the rewriting of the pitch, we ask: is it over-hated? Is it more clever than it's given credit? Maybe. Then it's time to jump from 2002 to 2020 as WB tries to launch a Hannah-Barbera Cinematic Universe with Scoob!, teaming up Mystery Inc. with less familiar characters Blue Falcon, Dyna...
Recovered
Wrapping up our dissection of Fantastic Four cinema with two polar opposite takes on Marvel's First Family. In 2015, Josh Trank attempted a more grounded, body-horror-infused take that met with severe studio notes and mandated reshoots, leading to a bunch of grey corridors and one action beat before the credits. It did not go over great. This very year, the MCU finally got their crack at the characters, and presents a whimsical, retro-futuristic world where an established Fantastic Four takes...
