Home
Categories
EXPLORE
True Crime
Comedy
Society & Culture
Business
Sports
History
Fiction
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts116/v4/26/d2/50/26d250b0-9c25-5ce7-f75b-31b22e6340ba/mza_16101869239535405712.png/600x600bb.jpg
REAL GONE
Emmet McKeown
13 episodes
1 week ago
A new podcast about alternative music histories. 
Show more...
Performing Arts
Arts,
Music,
Music Commentary,
Music History
RSS
All content for REAL GONE is the property of Emmet McKeown and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
A new podcast about alternative music histories. 
Show more...
Performing Arts
Arts,
Music,
Music Commentary,
Music History
https://media.zencastr.com/image-files/63de70ebe6ee418f500f346e/7a70fb9d-3051-4a21-9c79-a60e13eff12b.jpg
S02E05 Jazz, Africa & Islam - Part Three: 'Search for a New Land'
REAL GONE
47 minutes
2 weeks ago
S02E05 Jazz, Africa & Islam - Part Three: 'Search for a New Land'
The involvement of progressive Jazz musicians with Islam in the 1950s and 60s was shaped by the practices of Sunni Islam and the Black internationalism of several African American Muslim communities formed in the early 20th Century, notably the Islamic Mission of America (1939), the Addeynu Allahe-Universal Arabic Association (1938) and the First Cleveland Mosque (1937). These Sunni organisations emphasised the importance of pride in African ancestry, and their goals of self-reliance, empowerment and spiritual uplift through independent Islamic programs, institutions, and networks appealed to growing numbers of young Black Americans, including outsider Jazz musicians. The full roster of Art Blakey & The Jazz Messengers, pianist Ahmad Jamal, saxophonist Sahib Shihab, McCoy Tyner and many others all converted to Islam during this period. Growing militancy within the American Islamic communities and the wider Civil Rights movement aided the expansion of the Nation of Islam, spearheaded by its charismatic national spokesman Malcolm X. Famous Hard Bop musicians Grant Green and Lee Morgan and soul and blues legend Etta James were all NOI members, producing some of the greatest American music of the 20th Century. The international reach of the American Islamic movements put them on a collision course with the counterrevolutionary efforts of the FBI and CIA during the 1960s, when the Civil Rights Movement had its most profound successes but experienced its greatest tragedies. Books: What The Music Said: Black Popular Music & Black Popular Culture - Mark Anthony Neal Soundtrack to A Movement: African American Islam, Jazz & Black Internationalism - Richard Brent Turner A Love Supreme - Ashley Khan Giant Steps / Cookin' - Kenny Mathieson 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans & The Lost Empire of Cool - James Kaplan Jazz & Justice - Gerald Horne Tracks: The Call - Sahib Shihab Hannibal's Cannibals - Ahmed Abdul-Malik Poinciana - Ahmad Jamal Cease The Bombing / Alone, Together – Grant Green Search for A New Land / Mr Kenyetta - Lee Morgan Anything to Say You're Mine – Etta James EMCK
REAL GONE
A new podcast about alternative music histories.