This episode explores Philip Corner’s iconic work Piano Activities, starting with its controversial 1962 premiere at the Wiesbaden festival. Our guest, artist Sean Miller, narrates his experience interpreting Corner’s latest version of the score, titled Piano Aktivitys as a Disciplind Destruktshun (2022), which he orchestrated and performed in 2024 in Gainesville, Florida as part of the “Fluxus in the Swamp” exhibition. Miller reflects on the 62-year evolution of Piano Activities, from its destructive beginnings to Corner's evolved concept of “piano activity destined for transformation” that converts discarded pianos into precious art objects and sculptures. Exploring the challenges and uncertainties of balancing respect for the original work with creative interpretation and artistic freedom, Miller shares insights into what it takes to perform a historical Fluxus piece nowadays. More information about the work, the artist and the narrator is available on the episode's website.