For years (yes, we've been doing this a while now), various Radical Research listeners around the globe have asked us, "When is the Dark Millennium episode coming?" For Hunter, this would have been an easy answer: Anytime! For Jeff, a crash course in this interesting, challenging, wholly unique band was in order. Having boned up on the details, Jeff joins Hunter and those RR freakazoid listeners in hailing this band's first two albums, which we dissect readily in this episode. Tangents on Therion and graphite included... Note I: Finally, after years of toil, Jeff’s Voivod book is finally available. Taking pre-orders now for this 540-page, 3-pound behemoth…'Always Moving: The Strange Multiverse of Voivod' is ONLY available HERE: http://radicalresearch.org/voivod Note II: The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note III: We are regularly posting newer and older episode to our Youtube channel. Please check that out here and please subscribe if you wanna aid in getting all our coverage into more people's feeds: https://www.youtube.com/@radicalresearchpodcast4942 Music cited in order of appearance: “Below the Holy Fatherlands” (Ashore the Celestial Burden, 1992) “Spiritual” (Ashore the Celestial Burden, 1992) “Inside the Sunburnt Thoughts of Frost” (Ashore the Celestial Burden, 1992) “The Atmosphere” (Ashore the Celestial Burden, 1992) “Dead in Love” (Diana Read Peace, 1993) “Brotherhood Sleep…Back to Treasureland” (Diana Read Peace, 1993) “Fatehistory” (Diana Read Peace, 1993) “Peace in My Hands” (Diana Read Peace, 1993) episode 137 preview: Brand X, “Not Good Enough…See Me!” (Product, 1979) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.