The Innervisions cofounder reflects on the label's 20-year anniversary, the art of DJing and bringing politics back to the underground.
One of the most popular record labels in the RA ecosystem is Innervisions, and one of its most popular DJs is cofounder Steffen Berkhahn, AKA Dixon. He started the outlet in 2005 with Kristian Rädle and Frank Wiedemann of Âme. Back when RA ran DJ polls, Dixon was #1 several years in a row. We've since retired them, but Dixon's appeal remains as widespread as ever. He made a name for himself in Berlin in the '90s when he was just a teenager, spreading a melodic strain of house and techno that became the Innervisions brand and continues to pull heartstrings around the world.
This year, the label has been celebrating its 20-year anniversary, and Dixon reflects on its astronomical success on the heels of two major anniversary parties at Berghain and fabric. He also discusses how he's kept the label—and his own career—fresh and relevant; his feelings around commercial success; the importance of taking annual breaks from music and production; and his interest in reclaiming underground electronic music as a political space. Listen to the episode in full. -Chloe Lula
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The Innervisions cofounder reflects on the label's 20-year anniversary, the art of DJing and bringing politics back to the underground.
One of the most popular record labels in the RA ecosystem is Innervisions, and one of its most popular DJs is cofounder Steffen Berkhahn, AKA Dixon. He started the outlet in 2005 with Kristian Rädle and Frank Wiedemann of Âme. Back when RA ran DJ polls, Dixon was #1 several years in a row. We've since retired them, but Dixon's appeal remains as widespread as ever. He made a name for himself in Berlin in the '90s when he was just a teenager, spreading a melodic strain of house and techno that became the Innervisions brand and continues to pull heartstrings around the world.
This year, the label has been celebrating its 20-year anniversary, and Dixon reflects on its astronomical success on the heels of two major anniversary parties at Berghain and fabric. He also discusses how he's kept the label—and his own career—fresh and relevant; his feelings around commercial success; the importance of taking annual breaks from music and production; and his interest in reclaiming underground electronic music as a political space. Listen to the episode in full. -Chloe Lula
The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno.
There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB.
Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes.
That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring.
Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks.
His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there. It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint.
@xdb
Find the tracklist and interview at ra.co/podcast/1021
RA Podcast
The Innervisions cofounder reflects on the label's 20-year anniversary, the art of DJing and bringing politics back to the underground.
One of the most popular record labels in the RA ecosystem is Innervisions, and one of its most popular DJs is cofounder Steffen Berkhahn, AKA Dixon. He started the outlet in 2005 with Kristian Rädle and Frank Wiedemann of Âme. Back when RA ran DJ polls, Dixon was #1 several years in a row. We've since retired them, but Dixon's appeal remains as widespread as ever. He made a name for himself in Berlin in the '90s when he was just a teenager, spreading a melodic strain of house and techno that became the Innervisions brand and continues to pull heartstrings around the world.
This year, the label has been celebrating its 20-year anniversary, and Dixon reflects on its astronomical success on the heels of two major anniversary parties at Berghain and fabric. He also discusses how he's kept the label—and his own career—fresh and relevant; his feelings around commercial success; the importance of taking annual breaks from music and production; and his interest in reclaiming underground electronic music as a political space. Listen to the episode in full. -Chloe Lula
