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Quite Excellent
LydonTeaches
86 episodes
1 month ago
“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.
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“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.
Show more...
Courses
Arts,
Education,
Performing Arts
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"What I Didn't Know Before" - Ada Limón
Quite Excellent
17 minutes 50 seconds
1 year ago
"What I Didn't Know Before" - Ada Limón
“What I Didn’t Know Before” By Ada Limón was how horses simply give birth to other horses. Not a baby by any means, not a creature of liminal spaces, but a four-legged beast hellbent on walking, scrambling after the mother. A horse gives way to another horse and then suddenly there are two horses, just like that. That’s how I loved you. You, off the long train from Red Bank carrying a coffee as big as your arm, a bag with two computers swinging in it unwieldily at your side. I remember we broke into laughter when we saw each other. What was between us wasn’t a fragile thing to be coddled, cooed over. It came out fully formed, ready to run.
Quite Excellent
“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.