“The Debate”
by Alison Luterman
I’m listening to my father and his brother,
both in their eighties, debate their childhood
from adjoining La-Z-Boy recliners.
“We had no toys,” my father insists.
“What are you talking about, no toys?”
My uncle practically leaps from his chair,
except he can’t, on account of his back and his legs
and his feet and his hips. “We had tons of toys!”
Then he lists them: the playing cards
(“Those don’t count,” my father says);
the train set (“Oh, yeah, I forgot about the train set”);
the sleds — “Did anyone else on our block have sleds?”
Uncle Barry asks. “Nineteen-forty, people are crawling
out of the Great Depression on hands and knees, tell me:
Did anyone on our block besides us have a sled?”
My father’s father had a good job delivering newspapers
and brought home sixty-five dollars a week,
enough for Chinese food every Friday
and cupcakes on birthdays.
“We really didn’t have birthday parties,”
my father contends, and my uncle lunges at this.
“What are you talking about?
What about that surprise party
when you turned thirteen?”
“That was the only time,” my father counters.
Don’t even try, Uncle Barry, I almost say,
then catch myself. I want
this unwinnable argument to continue —
forever, if possible. I want
the Brooklyn music of their voices
entwined in a duet with no resolution. I want the song —
half lament, half celebration —
to go on and on and on.
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“The Debate”
by Alison Luterman
I’m listening to my father and his brother,
both in their eighties, debate their childhood
from adjoining La-Z-Boy recliners.
“We had no toys,” my father insists.
“What are you talking about, no toys?”
My uncle practically leaps from his chair,
except he can’t, on account of his back and his legs
and his feet and his hips. “We had tons of toys!”
Then he lists them: the playing cards
(“Those don’t count,” my father says);
the train set (“Oh, yeah, I forgot about the train set”);
the sleds — “Did anyone else on our block have sleds?”
Uncle Barry asks. “Nineteen-forty, people are crawling
out of the Great Depression on hands and knees, tell me:
Did anyone on our block besides us have a sled?”
My father’s father had a good job delivering newspapers
and brought home sixty-five dollars a week,
enough for Chinese food every Friday
and cupcakes on birthdays.
“We really didn’t have birthday parties,”
my father contends, and my uncle lunges at this.
“What are you talking about?
What about that surprise party
when you turned thirteen?”
“That was the only time,” my father counters.
Don’t even try, Uncle Barry, I almost say,
then catch myself. I want
this unwinnable argument to continue —
forever, if possible. I want
the Brooklyn music of their voices
entwined in a duet with no resolution. I want the song —
half lament, half celebration —
to go on and on and on.
The birthday of the world
By Margie Piercy
On the birthday of the world
I begin to contemplate
what I have done and left
undone, but this year
not so much rebuilding
of my perennially damaged
psyche, shoring up eroding
friendships, digging out
stumps of old resentments
that refuse to rot on their own.
No, this year I want to call
myself to task for what
I have done and not done
for peace. How much have
I dared in opposition?
How much have I put
on the line for freedom?
For mine and others?
As these freedoms are pared,
sliced and diced, where
Quite Excellent
“The Debate”
by Alison Luterman
I’m listening to my father and his brother,
both in their eighties, debate their childhood
from adjoining La-Z-Boy recliners.
“We had no toys,” my father insists.
“What are you talking about, no toys?”
My uncle practically leaps from his chair,
except he can’t, on account of his back and his legs
and his feet and his hips. “We had tons of toys!”
Then he lists them: the playing cards
(“Those don’t count,” my father says);
the train set (“Oh, yeah, I forgot about the train set”);
the sleds — “Did anyone else on our block have sleds?”
Uncle Barry asks. “Nineteen-forty, people are crawling
out of the Great Depression on hands and knees, tell me:
Did anyone on our block besides us have a sled?”
My father’s father had a good job delivering newspapers
and brought home sixty-five dollars a week,
enough for Chinese food every Friday
and cupcakes on birthdays.
“We really didn’t have birthday parties,”
my father contends, and my uncle lunges at this.
“What are you talking about?
What about that surprise party
when you turned thirteen?”
“That was the only time,” my father counters.
Don’t even try, Uncle Barry, I almost say,
then catch myself. I want
this unwinnable argument to continue —
forever, if possible. I want
the Brooklyn music of their voices
entwined in a duet with no resolution. I want the song —
half lament, half celebration —
to go on and on and on.