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Quite Excellent
LydonTeaches
86 episodes
4 weeks ago
“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.
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“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.
Show more...
Courses
Arts,
Education,
Performing Arts
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"Small Kindnesses" - Danusha Laméris
Quite Excellent
7 minutes 44 seconds
2 months ago
"Small Kindnesses" - Danusha Laméris
Small Kindnesses by Danusha Laméris I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to the person handing it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up truck to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead — you first,” “I like your hat.”
Quite Excellent
“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.