“The Debate”
by Alison Luterman
I’m listening to my father and his brother,
both in their eighties, debate their childhood
from adjoining La-Z-Boy recliners.
“We had no toys,” my father insists.
“What are you talking about, no toys?”
My uncle practically leaps from his chair,
except he can’t, on account of his back and his legs
and his feet and his hips. “We had tons of toys!”
Then he lists them: the playing cards
(“Those don’t count,” my father says);
the train set (“Oh, yeah, I forgot about the train set”);
the sleds — “Did anyone else on our block have sleds?”
Uncle Barry asks. “Nineteen-forty, people are crawling
out of the Great Depression on hands and knees, tell me:
Did anyone on our block besides us have a sled?”
My father’s father had a good job delivering newspapers
and brought home sixty-five dollars a week,
enough for Chinese food every Friday
and cupcakes on birthdays.
“We really didn’t have birthday parties,”
my father contends, and my uncle lunges at this.
“What are you talking about?
What about that surprise party
when you turned thirteen?”
“That was the only time,” my father counters.
Don’t even try, Uncle Barry, I almost say,
then catch myself. I want
this unwinnable argument to continue —
forever, if possible. I want
the Brooklyn music of their voices
entwined in a duet with no resolution. I want the song —
half lament, half celebration —
to go on and on and on.
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“The Debate”
by Alison Luterman
I’m listening to my father and his brother,
both in their eighties, debate their childhood
from adjoining La-Z-Boy recliners.
“We had no toys,” my father insists.
“What are you talking about, no toys?”
My uncle practically leaps from his chair,
except he can’t, on account of his back and his legs
and his feet and his hips. “We had tons of toys!”
Then he lists them: the playing cards
(“Those don’t count,” my father says);
the train set (“Oh, yeah, I forgot about the train set”);
the sleds — “Did anyone else on our block have sleds?”
Uncle Barry asks. “Nineteen-forty, people are crawling
out of the Great Depression on hands and knees, tell me:
Did anyone on our block besides us have a sled?”
My father’s father had a good job delivering newspapers
and brought home sixty-five dollars a week,
enough for Chinese food every Friday
and cupcakes on birthdays.
“We really didn’t have birthday parties,”
my father contends, and my uncle lunges at this.
“What are you talking about?
What about that surprise party
when you turned thirteen?”
“That was the only time,” my father counters.
Don’t even try, Uncle Barry, I almost say,
then catch myself. I want
this unwinnable argument to continue —
forever, if possible. I want
the Brooklyn music of their voices
entwined in a duet with no resolution. I want the song —
half lament, half celebration —
to go on and on and on.
"Mother Talks Back to the Monster" - Carrie Shipers
Quite Excellent
17 minutes 36 seconds
1 year ago
"Mother Talks Back to the Monster" - Carrie Shipers
Mother Talks Back to the Monster
By Carrie Shipers
Tonight, I dressed my son in astronaut pajamas,
kissed his forehead and tucked him in.
I turned on his night-light and looked for you
in the closet and under the bed. I told him
you were nowhere to be found, but I could smell
your breath, your musty fur. I remember
all your tricks: the jagged shadows on the wall,
click of your claws, the hand that hovered
just above my ankles if I left them exposed.
Since I became a parent I see danger everywhere—
unleashed dogs, sudden fevers, cereal
two days out of date. And even worse
than feeling so much fear is keeping it inside,
trying not to let my love become so tangled
with anxiety my son thinks they're the same.
When he says he's seen your tail or heard
your heavy step, I insist that you aren't real.
Soon he'll feel too old to tell me his bad dreams.
If you get lonely after he's asleep, you can
always come downstairs. I'll be sitting
at the kitchen table with the dishes
I should wash, crumbs I should wipe up.
We can drink hot tea and talk about
the future, how hard it is to be outgrown.
Quite Excellent
“The Debate”
by Alison Luterman
I’m listening to my father and his brother,
both in their eighties, debate their childhood
from adjoining La-Z-Boy recliners.
“We had no toys,” my father insists.
“What are you talking about, no toys?”
My uncle practically leaps from his chair,
except he can’t, on account of his back and his legs
and his feet and his hips. “We had tons of toys!”
Then he lists them: the playing cards
(“Those don’t count,” my father says);
the train set (“Oh, yeah, I forgot about the train set”);
the sleds — “Did anyone else on our block have sleds?”
Uncle Barry asks. “Nineteen-forty, people are crawling
out of the Great Depression on hands and knees, tell me:
Did anyone on our block besides us have a sled?”
My father’s father had a good job delivering newspapers
and brought home sixty-five dollars a week,
enough for Chinese food every Friday
and cupcakes on birthdays.
“We really didn’t have birthday parties,”
my father contends, and my uncle lunges at this.
“What are you talking about?
What about that surprise party
when you turned thirteen?”
“That was the only time,” my father counters.
Don’t even try, Uncle Barry, I almost say,
then catch myself. I want
this unwinnable argument to continue —
forever, if possible. I want
the Brooklyn music of their voices
entwined in a duet with no resolution. I want the song —
half lament, half celebration —
to go on and on and on.