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Quite Excellent
LydonTeaches
86 episodes
1 month ago
“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.
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“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.
Show more...
Courses
Arts,
Education,
Performing Arts
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"Letter" - Tadeusz Dąbrowski
Quite Excellent
14 minutes 28 seconds
2 years ago
"Letter" - Tadeusz Dąbrowski
Letter By Tadeusz Dąbrowski Yesterday I sent you a letter. And today on the phone you tell me you are pregnant. I pack up and return, you greet me at the airport, you’re even lovelier than in my letter that’s on its way to you. We build a house, our child grows, our parents shrink, then a few years of sweat and tears, in which we prudently pickle cabbage and gherkins for the ever-colder days. In the coloring book of our life there are fewer and fewer blank spaces, the crayons grow shorter, we try to be precise, but even so we go over the lines. We busy ourselves with everyday matters, and our paths are ever deeper, they start to look like tunnels. Meanwhile my letter’s on its way to you. You’ll open it when it suits you best.
Quite Excellent
“The Debate” by Alison Luterman I’m listening to my father and his brother, both in their eighties, debate their childhood from adjoining La-Z-Boy recliners. “We had no toys,” my father insists. “What are you talking about, no toys?” My uncle practically leaps from his chair, except he can’t, on account of his back and his legs and his feet and his hips. “We had tons of toys!” Then he lists them: the playing cards (“Those don’t count,” my father says); the train set (“Oh, yeah, I forgot about the train set”); the sleds — “Did anyone else on our block have sleds?” Uncle Barry asks. “Nineteen-forty, people are crawling out of the Great Depression on hands and knees, tell me: Did anyone on our block besides us have a sled?” My father’s father had a good job delivering newspapers and brought home sixty-five dollars a week, enough for Chinese food every Friday and cupcakes on birthdays. “We really didn’t have birthday parties,” my father contends, and my uncle lunges at this. “What are you talking about? What about that surprise party when you turned thirteen?” “That was the only time,” my father counters. Don’t even try, Uncle Barry, I almost say, then catch myself. I want this unwinnable argument to continue — forever, if possible. I want the Brooklyn music of their voices entwined in a duet with no resolution. I want the song — half lament, half celebration — to go on and on and on.