Progkast - 51 playlist:
Artist - Song - Time Stamp
--------------------------------------------------
Zen Orchestra - Minds - 0.00
----------------
Bend the Future - Desert Eagle - 7.51
Foreign Accent - A Hold Szárnyán - 13.19
----------------
Caravaggio - Before My Eyes - 28.59
Opening music is Belleza Anatoma (Intro) by Sumeritae - Used by permission.
All of the artists played on Progkast have given their personal permission for their music to be played on Progkast.
All content for Progkast is the property of Jul's Progkast - Progressive Rock Podcast and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Progkast - 51 playlist:
Artist - Song - Time Stamp
--------------------------------------------------
Zen Orchestra - Minds - 0.00
----------------
Bend the Future - Desert Eagle - 7.51
Foreign Accent - A Hold Szárnyán - 13.19
----------------
Caravaggio - Before My Eyes - 28.59
Opening music is Belleza Anatoma (Intro) by Sumeritae - Used by permission.
All of the artists played on Progkast have given their personal permission for their music to be played on Progkast.
Progkast - 42
1) Space Kitchen - Sun Tower
----
2) Aaron Clift Experiment - Bet On Zero
3) Caravaggio - Unlike Dolphins
----
4) Fearful Symmetry - Sandworm
5) Surfing the Desert - Caravan
6) Meta - Riptide
----
7) Gunnar Sletta - Lost
8) Starfish64 - Blue Pieces of Something in the Air
----
9) Venus Loon - Heroes Return
(Intro music is "Belleza Anatoma Intro" by Sumeritae)
Progkast
Progkast - 51 playlist:
Artist - Song - Time Stamp
--------------------------------------------------
Zen Orchestra - Minds - 0.00
----------------
Bend the Future - Desert Eagle - 7.51
Foreign Accent - A Hold Szárnyán - 13.19
----------------
Caravaggio - Before My Eyes - 28.59
Opening music is Belleza Anatoma (Intro) by Sumeritae - Used by permission.
All of the artists played on Progkast have given their personal permission for their music to be played on Progkast.
