Looking at the state of alternate publishing and new forms of distribution, PRINT SCREEN will host discussions on the widespread disruption of traditional media channels and the accelerating digitisation of shared cultural consumption. Via podcast and live forum PRINT SCREEN will open up a vital discussion on the new waves of publishing and promotion that are located in simultaneously public and private realms.
What are the possibilities for new forums of cultural dispersion? Is there any escape from software after Covid? Where is the new gatekeeper? Who is making new claims? Is this moment of destabilisation a significant opportunity to reimagine publishing?
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Looking at the state of alternate publishing and new forms of distribution, PRINT SCREEN will host discussions on the widespread disruption of traditional media channels and the accelerating digitisation of shared cultural consumption. Via podcast and live forum PRINT SCREEN will open up a vital discussion on the new waves of publishing and promotion that are located in simultaneously public and private realms.
What are the possibilities for new forums of cultural dispersion? Is there any escape from software after Covid? Where is the new gatekeeper? Who is making new claims? Is this moment of destabilisation a significant opportunity to reimagine publishing?
Annika Koops and Josephine Mead of Image Collective talk collectivism under covid, and publication making instead of exhibition making during plague conditions...
Print Screen
Looking at the state of alternate publishing and new forms of distribution, PRINT SCREEN will host discussions on the widespread disruption of traditional media channels and the accelerating digitisation of shared cultural consumption. Via podcast and live forum PRINT SCREEN will open up a vital discussion on the new waves of publishing and promotion that are located in simultaneously public and private realms.
What are the possibilities for new forums of cultural dispersion? Is there any escape from software after Covid? Where is the new gatekeeper? Who is making new claims? Is this moment of destabilisation a significant opportunity to reimagine publishing?
