Walk into a Kinko’s to use a copier…but make it art? That’s exactly how this month’s artist, Pati Hill, got her start—through xeroxing everyday household objects.
What started as the role of family historian, turned into framed pieces on gallery walls. Why objects? Why a photocopier? And what makes something appeal beyond the reach of our own homes?
Listen in today as Amy and Chris talk about using unconventional tools, finding creativity in the constraints, whether photocopies make for good art, and if objects might actually have a life of their own.
Amy Elizabeth is an artist and film photographer living in Minneapolis, MN. She runs the group The Art Lab for creatives who want to connect and push forward in their artistry. She is also the owner/operator of Film Lab 135, a bespoke lab dedicated to processing experimental film, specializing in film soup. You can find her on Instagram, substack, and bluesky @itsamyliz.
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Walk into a Kinko’s to use a copier…but make it art? That’s exactly how this month’s artist, Pati Hill, got her start—through xeroxing everyday household objects.
What started as the role of family historian, turned into framed pieces on gallery walls. Why objects? Why a photocopier? And what makes something appeal beyond the reach of our own homes?
Listen in today as Amy and Chris talk about using unconventional tools, finding creativity in the constraints, whether photocopies make for good art, and if objects might actually have a life of their own.
Amy Elizabeth is an artist and film photographer living in Minneapolis, MN. She runs the group The Art Lab for creatives who want to connect and push forward in their artistry. She is also the owner/operator of Film Lab 135, a bespoke lab dedicated to processing experimental film, specializing in film soup. You can find her on Instagram, substack, and bluesky @itsamyliz.
He might be the greatest landscape photographer of our time, and I can almost guarantee that studying his work will inspire you to pick up your camera.
In this episode, Amy clues us into Michael Kenna’s artistic practice, philosophy, and the road that led him to seek out these moments of meditative solitude.
Engaging with Michael Kenna’s work brings up so many topics even beyond the image itself, some of which are: photography allows us to capture a truth our eyes normally can’t see, the observer effect reminds us that our mere gaze changes how the world behaves, and without wabi-sabi we’re void of all intrigue.
Grab some black and white film and maybe even an nd filter and get ready to learn some things about art, creativity, life and the intersection of it all.
Amy Elizabeth is an artist and film photographer living in Minneapolis, MN. She runs the group The Art Lab for creatives who want to connect and push forward in their artistry. She is also the owner/operator of Film Lab 135, a bespoke lab dedicated to processing experimental film, and specializing in film soup. You can find her on Instagram, substack, and bluesky @itsamyliz.
Post-Processing
Walk into a Kinko’s to use a copier…but make it art? That’s exactly how this month’s artist, Pati Hill, got her start—through xeroxing everyday household objects.
What started as the role of family historian, turned into framed pieces on gallery walls. Why objects? Why a photocopier? And what makes something appeal beyond the reach of our own homes?
Listen in today as Amy and Chris talk about using unconventional tools, finding creativity in the constraints, whether photocopies make for good art, and if objects might actually have a life of their own.
Amy Elizabeth is an artist and film photographer living in Minneapolis, MN. She runs the group The Art Lab for creatives who want to connect and push forward in their artistry. She is also the owner/operator of Film Lab 135, a bespoke lab dedicated to processing experimental film, specializing in film soup. You can find her on Instagram, substack, and bluesky @itsamyliz.
