In this episode, we’re joined one of the most prolific and accomplished scholars in the field of pornography studies, Susanna Paasonen. She is a professor of media studies at the University of Turku in Finland and has written and edited over eight books covering pornography, sex, internet studies, feminism, and affect. Her newest book is Many Splendored Things: Thinking Sex and Play (MIT Press, 2018), where she explores sex, bodily capacities, appetites, orientations, and connections in terms of play and playfulness. Like many people in the U.S., I discovered her work in 2011 with the publication of Carnal Resonance: Affect and Online Pornography (MIT Press). It has since become a landmark book within pornography studies due to the way it reorients the conversation around pornography from one centered on censorship, feminism, and the quality of sexual representation, to one trying to account for the various—and hard to quantify ways in which—pornography moves us, not only physically (with feelings of both revulsion and extasy), but affectively (where we find ourselves relating to our own bodies, and other’s bodies in new and different ways). While traditional academic methods of reading moving image texts revolve around notions of sexual, gender, or racial identity, affect theory helps to account for the ways in which social identity isn’t just centered within our race or sexuality, but is, in fact, a part of a wider social assemblage, where our various affective interactions with actors within our social networks dramatically influence the ways we relate to, and understand, ourselves. Affect theory accounts for the ways in which our subjectivity is formed not from our inner-selves, but is a relational force interacting with the body from the outside. Of course, the reason why approaching pornography studies from this perspective is so different from traditional methods is because this perspective frees the genre from needing to affirm or legitimate racial or gender uplift. An affective reading of pornography accounts for the politically incorrect ways in which we interact with the genre. Pleasure, disgust, joy, humiliation, and shame are all affective registers that we tap into when engaging with pornography. The accumulation of these feelings are part of the overall resonance that Susanna is trying to account for in her work. In this interview we talk about her first experience finding porn magazines in a damp Finland forest; the difference between the pornography in Finland and the surrounding Nordic countries; why she thinks Silvan Tomkins and Gilles Deleuze actually work well together, and she explains how she became an expert on bareback gay sex!     Susanna’s website Susanna’s Twitter More about the phenomenon of “woods porn.” Susanna’s interview with pornographer Paul Morris. More about the films of Jan Soldat.   pornocultures.podomatic.com facebook.com/AcademicSex @PornoCultures More info about Brandon Arroyo