Coming out of the call for “Black Power” in the 1960s by Malcolm X and others, historian and playwright Larry Neal describes a new breed of Black artist taking on the contradictions of the Black person’s experience in the racist West and developing a “black aesthetic.” For this "Poetry--What Is It Good For?" episode, we talked with one of the lead architects of Black Arts Movement [BAM] poetry, Eugene B. Redmond -- the longtime poet laureate of East St. Louis -- and with poet and Redmond colleague Darlene Roy who has run the Eugene B. Redmond Writer's Club of E. St. Louis for several decades. The conversation ranged from the beginnings of BAM within the Black Power era of the 1960s -- to the important poets of the period -- to the changes that were happening in this country as "negro / colored" turned to "Black." Ms. Roy read from her book "Afrosynthesis: A feast of Poetry and Folklore."

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