In the final episode of season two of Play:Notes, Allison and Emily discuss Banging Cymbal, Clanging Gong with playwright Jo Randerson and how both the work and the playwright have changed since it was first presented in Ōtepoti Dunedin in 2001. Links: Jo Randerson Playmarket Banging Cymbal Clanging Gong Script Barbarian Productions Thanks for listening! Please consider leaving us a rating and a review. To find out more about Prospect Park Productions NZ and our other theatre work go to ht...
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In the final episode of season two of Play:Notes, Allison and Emily discuss Banging Cymbal, Clanging Gong with playwright Jo Randerson and how both the work and the playwright have changed since it was first presented in Ōtepoti Dunedin in 2001. Links: Jo Randerson Playmarket Banging Cymbal Clanging Gong Script Barbarian Productions Thanks for listening! Please consider leaving us a rating and a review. To find out more about Prospect Park Productions NZ and our other theatre work go to ht...
In the final of three episodes on Shakespeare we ask if The Merchant of Venice really fits the comedy mould. Was the Bard an anti-Semite? What did he want us to make of Antonio and Bassanio’s bromance? And did Portia really walk her quality of mercy talk? Content Warning: Discussion of antisemitism. Thanks for listening! Please consider leaving us a rating and a review. To find out more about Prospect Park Productions NZ and our other theatre work go to https://www.prospectpark.co.nz/
Play: Notes
In the final episode of season two of Play:Notes, Allison and Emily discuss Banging Cymbal, Clanging Gong with playwright Jo Randerson and how both the work and the playwright have changed since it was first presented in Ōtepoti Dunedin in 2001. Links: Jo Randerson Playmarket Banging Cymbal Clanging Gong Script Barbarian Productions Thanks for listening! Please consider leaving us a rating and a review. To find out more about Prospect Park Productions NZ and our other theatre work go to ht...