Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists · Creative Process Original Series
300 episodes
5 days ago
In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?
PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world.
BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned from his children, especially his autistic son, who teaches him about grace, possibility, and futurity.
MICHEL FORST (Human Rights Advocate & the UN Special Rapporteur on Environmental Defenders) explores how theology and meditation serve as ongoing sources of inspiration, shaping his values and career choices in human rights advocacy.
DR. GUY LESCHZINER(Neurologist & Author of The Nocturnal Brain, The Man Who Tasted Words & other books; Consultant Neurologist & Professor at King's College London) analyzes the concept of free will, suggesting that much of what we do is influenced by factors beyond our control. He also discusses the importance of striving to make the world better, the role of sleep and dreams in memory and emotional processing, and the changing nature of mentorship and education.
EIREN CAFFALL (Musician & Author of All the Water in the World) highlights the importance of preserving knowledge and human history, imagining how future generations might rebuild society after catastrophe by holding onto stories, traditions, and the hope of repair.
DR. FERNANDO GARCÍA-MORENO (Neuroscientist, Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience) explains that while our brains have not changed biologically for thousands of years, cultural evolution has accelerated. He emphasizes the unique human roles of generating and transmitting knowledge across generations.
NATASHA HAKIMI ZAPATA (Journalist, Author of Another World Is Possible: Lessons for America From Around the Globe) shares her inspiration from the generosity and hope she encounters in others, and describes how connecting with nature—especially bodies of water—reinforces the importance of conservation policies that integrate human communities into ecosystems.
IRVIN WEATHERSBY JR. (Author of In Open Contempt) reflects on the influence of his church upbringing and family, especially his grandmother, on his writing and creative expression. He discusses the impact of music, particularly hip hop, and the importance of lyricism and cultural heritage in shaping his literary voice.
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In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?
PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world.
BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned from his children, especially his autistic son, who teaches him about grace, possibility, and futurity.
MICHEL FORST (Human Rights Advocate & the UN Special Rapporteur on Environmental Defenders) explores how theology and meditation serve as ongoing sources of inspiration, shaping his values and career choices in human rights advocacy.
DR. GUY LESCHZINER(Neurologist & Author of The Nocturnal Brain, The Man Who Tasted Words & other books; Consultant Neurologist & Professor at King's College London) analyzes the concept of free will, suggesting that much of what we do is influenced by factors beyond our control. He also discusses the importance of striving to make the world better, the role of sleep and dreams in memory and emotional processing, and the changing nature of mentorship and education.
EIREN CAFFALL (Musician & Author of All the Water in the World) highlights the importance of preserving knowledge and human history, imagining how future generations might rebuild society after catastrophe by holding onto stories, traditions, and the hope of repair.
DR. FERNANDO GARCÍA-MORENO (Neuroscientist, Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience) explains that while our brains have not changed biologically for thousands of years, cultural evolution has accelerated. He emphasizes the unique human roles of generating and transmitting knowledge across generations.
NATASHA HAKIMI ZAPATA (Journalist, Author of Another World Is Possible: Lessons for America From Around the Globe) shares her inspiration from the generosity and hope she encounters in others, and describes how connecting with nature—especially bodies of water—reinforces the importance of conservation policies that integrate human communities into ecosystems.
IRVIN WEATHERSBY JR. (Author of In Open Contempt) reflects on the influence of his church upbringing and family, especially his grandmother, on his writing and creative expression. He discusses the impact of music, particularly hip hop, and the importance of lyricism and cultural heritage in shaping his literary voice.
In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?
PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world.
BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned from his children, especially his autistic son, who teaches him about grace, possibility, and futurity.
MICHEL FORST (Human Rights Advocate & the UN Special Rapporteur on Environmental Defenders) explores how theology and meditation serve as ongoing sources of inspiration, shaping his values and career choices in human rights advocacy.
DR. GUY LESCHZINER(Neurologist & Author of The Nocturnal Brain, The Man Who Tasted Words & other books; Consultant Neurologist & Professor at King's College London) analyzes the concept of free will, suggesting that much of what we do is influenced by factors beyond our control. He also discusses the importance of striving to make the world better, the role of sleep and dreams in memory and emotional processing, and the changing nature of mentorship and education.
EIREN CAFFALL (Musician & Author of All the Water in the World) highlights the importance of preserving knowledge and human history, imagining how future generations might rebuild society after catastrophe by holding onto stories, traditions, and the hope of repair.
DR. FERNANDO GARCÍA-MORENO (Neuroscientist, Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience) explains that while our brains have not changed biologically for thousands of years, cultural evolution has accelerated. He emphasizes the unique human roles of generating and transmitting knowledge across generations.
NATASHA HAKIMI ZAPATA (Journalist, Author of Another World Is Possible: Lessons for America From Around the Globe) shares her inspiration from the generosity and hope she encounters in others, and describes how connecting with nature—especially bodies of water—reinforces the importance of conservation policies that integrate human communities into ecosystems.
IRVIN WEATHERSBY JR. (Author of In Open Contempt) reflects on the influence of his church upbringing and family, especially his grandmother, on his writing and creative expression. He discusses the impact of music, particularly hip hop, and the importance of lyricism and cultural heritage in shaping his literary voice.
“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things.”
"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.
There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn’t make sense. We’re growing animals to produce food that we can’t eat so that we can ship it halfway around the world. It’s a system that doesn’t work.
The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can’t handle any more carbon absorption; they’re acidifying and heating up. We need to take the carbon we’ve emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding.
It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."
Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.
Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.
“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.
If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.
We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”
Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.
Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.
“We as humans can destroy things in a couple of years that have taken thousands or even millions of years to form. So in the snap of a finger, we can destroy so much work. That's an observation I’ve seen in all biomes, and it's pretty scary. On the other hand, nature regenerates pretty fast. It heals itself. If humans help this healing process, it can go even faster.”
“The Earth started as one big rock, and soil did not exist. Without soil, you can't really grow trees or any crops whatsoever. We are depleting soils super fast, and it is predicted that in less than 25 years, 90% of our soils will be degraded. We as humans, we can destroy things in a couple of years that have taken thousands or even millions of years to form. On the other hand, nature regenerates pretty fast. It heals itself. If humans help this healing process, it can go even faster.”
“Abolishing Silicon Valley means freeing the development of technology from a system that will always relegate it to a subordinate role, that of entrenching existing power relations. It means designing a new system that isn't deluged in the logic of the bucket. It means liberating our worlds from the illegitimate ring of capital. Perhaps this sounds unfair to capital. Perhaps I sound like I'm not grateful enough for everything that capital has given us, but we don't owe capital anything; the things we attribute to capital were built by workers."
“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”
Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It’s designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.
Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University’s 80WSE and as a curator for Frieze Projects at Frieze London. Today, we’ll delve into her philosophy of art, leadership, and the transformative power of this new initiative.
“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.
I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”
“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. We are very invested in enabling people to build new relationships. What we've found from these past gatherings in Aspen is that those are the things people still talk about from 40, 50, or 60 years ago. You were also asking about a relationship with the environment. I think Maya Lin, who is coming to give a keynote lecture, is someone who is very invested in that conversation.
We are also working with the Serpentine Gallery and Hans Ulrich Obrist on the keynote lectures. Francis Kéré is also coming to talk about the sustainability of his architectural practice and how that navigates the world differently. We're also working with Storefront for Architecture, who have done this brilliant swamp project for the last two years. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.
Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It’s designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.
Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University’s 80WSE and as a curator for Frieze Projects at Frieze London. Today, we’ll delve into her philosophy of art, leadership, and the transformative power of this new initiative.
“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”
Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers’ Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature’ case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.
“So I think that part of colonialism for Indigenous peoples has been this idea that Indigenous peoples aren't thinking peoples and that we don't have thought on a kind of systemic level. One of the things that I was interested in doing is intervening in that because I think Indigenous people have a lot of beautiful, very intellectual, theoretical contributions to make to the world. A lot of our theory is encoded in story, but a lot of our theory is also encoded in land-based practice. You can't learn about it from reading books or from going to lectures. You have to really be out on the land with elders for long periods of time.”
“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment."
“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.’ So off we went.”
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with M. E. O’Brien and Eman Abdelhadi about their dazzling and challenging book, Everything for Everyone: An Oral History of the New York Commune, 2052 to 2072. They imagine a world haunted by genocide, ecocide, disease, fascism, and viral capitalism, but rather than writing a dystopian novel, O’Brien and Abdelhadi create a complex mosaic of oral histories, in which they each play the part of interviewer. The result is a story that far exceeds New York, and the twenty years noted in the title. The histories cover generations across the globe, and reach into the deep sources of trauma, and the kinds of mutual care we will need to not only survive, but also to thrive in these frightening times.
Eman Abdelhadiis an academic, organizer and writer based in Chicago. She is co-author of "Everything for Everyone: An Oral History of the New York Commune, 2052-2072," a revolutionary sci-fi novel published in 2022 with Common Notions Press. She is an assistant professor and sociologist at the University of Chicago, where she researches American Muslim communities, and she is a columnist at In These Times magazine where she writes on the Palestine Liberation movement and American politics. Eman organizes with the Salon Kawakib collective, Faculty and Staff for Justice in Palestine at the University of Chicago, Scholars for Social Justice, and other formations.
M. E. O’Brien writes and speaks on gender freedom and capitalism. She has written two books: Family Abolition: Capitalism and the Communizing of Care (Pluto Press, 2023) and a co-authored speculative novel, Everything for Everyone: An Oral History of the New York Commune, 2052–2072 (Common Notions, 2022). She is a member of the editorial collective of Pinko, a magazine of gay communism. Her work on family abolition has been translated into Chinese, German, Greek, French, Spanish, Catalan, and Turkish. Previously, she coordinated the New York City Trans Oral History Project, and worked in HIV and AIDS activism and services. She completed a PhD at NYU, where she wrote on how capitalism shaped New York City LGBTQ social movements. She currently works a psychotherapist in private practice and is a psychoanalyst in formation.
“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.
I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.
To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”
Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers’ Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature’ case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.
In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?
PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world.
BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned from his children, especially his autistic son, who teaches him about grace, possibility, and futurity.
MICHEL FORST (Human Rights Advocate & the UN Special Rapporteur on Environmental Defenders) explores how theology and meditation serve as ongoing sources of inspiration, shaping his values and career choices in human rights advocacy.
DR. GUY LESCHZINER(Neurologist & Author of The Nocturnal Brain, The Man Who Tasted Words & other books; Consultant Neurologist & Professor at King's College London) analyzes the concept of free will, suggesting that much of what we do is influenced by factors beyond our control. He also discusses the importance of striving to make the world better, the role of sleep and dreams in memory and emotional processing, and the changing nature of mentorship and education.
EIREN CAFFALL (Musician & Author of All the Water in the World) highlights the importance of preserving knowledge and human history, imagining how future generations might rebuild society after catastrophe by holding onto stories, traditions, and the hope of repair.
DR. FERNANDO GARCÍA-MORENO (Neuroscientist, Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience) explains that while our brains have not changed biologically for thousands of years, cultural evolution has accelerated. He emphasizes the unique human roles of generating and transmitting knowledge across generations.
NATASHA HAKIMI ZAPATA (Journalist, Author of Another World Is Possible: Lessons for America From Around the Globe) shares her inspiration from the generosity and hope she encounters in others, and describes how connecting with nature—especially bodies of water—reinforces the importance of conservation policies that integrate human communities into ecosystems.
IRVIN WEATHERSBY JR. (Author of In Open Contempt) reflects on the influence of his church upbringing and family, especially his grandmother, on his writing and creative expression. He discusses the impact of music, particularly hip hop, and the importance of lyricism and cultural heritage in shaping his literary voice.
